![Adapted from Cormac McCarthy's bleak post-apocalyptic novel, The Road concerns a father (Viggo Mortensen) and son struggling to survive after an unspecified catastrophe eradicates civilization. J. Hoberman at the Village Voice thinks "perhaps only a visionary genius like Andrei Tarkovsky or a heedless schlockmeister like Michael Bay could have handled the book's combination of visceral terror and mystical reflection. Ultimately, [director John] Hillcoat's The Road is less a disaster (or post-disaster) flick than a sort of global death tripâintended possibly as an audience ordeal in the tradition of The Passion of the Christ, complete with redemptive ending and regularly articulated life lessons. All meetings on the road are potential parables, every repetitive exchange between The Man and The Boy is presented as a mantra, and the appearance of a rheumy, putrid Old Man provides a gabby cameo for guest star Robert Duvall."](https://cms.prod.nypr.digital/images/282487/fill-150x150|format-jpeg|jpegquality-80/)
Click on the film stills for more reviews and details on this week's new releases and repertory screenings, which include The Road, Me and Orson Welles, Old Dogs, Ninja Assassin, The Princess and the Frog , The Big Lebowski, and Brazil.
Weekend Movie Forecast: The Road or Me and Orson Welles
![Adapted from Cormac McCarthy's bleak post-apocalyptic novel, The Road concerns a father (Viggo Mortensen) and son struggling to survive after an unspecified catastrophe eradicates civilization. J. Hoberman at the Village Voice thinks "perhaps only a visionary genius like Andrei Tarkovsky or a heedless schlockmeister like Michael Bay could have handled the book's combination of visceral terror and mystical reflection. Ultimately, [director John] Hillcoat's The Road is less a disaster (or post-disaster) flick than a sort of global death tripâintended possibly as an audience ordeal in the tradition of The Passion of the Christ, complete with redemptive ending and regularly articulated life lessons. All meetings on the road are potential parables, every repetitive exchange between The Man and The Boy is presented as a mantra, and the appearance of a rheumy, putrid Old Man provides a gabby cameo for guest star Robert Duvall."](https://cms.prod.nypr.digital/images/282487/fill-640x426|format-jpeg|jpegquality-80/)
<p>Adapted from Cormac McCarthy's bleak post-apocalyptic novel,<em> The Road</em> concerns a father (Viggo Mortensen) and son struggling to survive after an unspecified catastrophe eradicates civilization. <a href="http://www.villagevoice.com/2009-11-24/film/viggo-mortensen-s-the-road-takes-path-of-least-resistence/">J. Hoberman at the Village Voice</a> thinks "perhaps only a visionary genius like Andrei Tarkovsky or a heedless schlockmeister like Michael Bay could have handled the book's combination of visceral terror and mystical reflection. Ultimately, [director John] Hillcoat's <em>The Road </em>is less a disaster (or post-disaster) flick than a sort of global death tripâ<strong>intended possibly as an audience ordeal in the tradition of<em> The Passion of the Christ,</em> complete with redemptive ending and regularly articulated life lessons.</strong> All meetings on the road are potential parables, every repetitive exchange between The Man and The Boy is presented as a mantra, and the appearance of a rheumy, putrid Old Man provides a gabby cameo for guest star Robert Duvall."</p>
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