Photos: Massive Frank Lloyd Wright Exhibition Comes To MoMA
8 photos
Frank Lloyd Wright (American, 1867–1959). Fallingwater (Kaufmann House), Mill Run, Pennsylvania. 1934–37. Perspective from the south. Pencil and colored pencil on paper, 15 3/8 × 25 1/4″ (39.1 × 64.1 cm). The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York)
Unveiling the 22-foot-high (6.7-meter-high) visualization of The Mile-High Illinois at the October 16, 1956, press conference in Chicago. The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York)
Frank Lloyd Wright (American, 1867–1959). Winslow House, River Forest, Illinois. 1893–94. Perspective. Watercolor with pencil on paper, 12 × 32 5/8″ (30.5 × 82.9 cm). The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York)
Frank Lloyd Wright. Davidson Little Farms Unit. Project, 1932–33. Model. Painted wood and particle board, 7 3⁄4 x 70 x 54 3⁄4 in. (19.7 x 177.8 x 139.1 cm). The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York)
Frank Lloyd Wright (American, 1867–1959). Model of St. Mark’s Tower. Unbuilt project. New York, New York. 1927-31. Painted wood. 53 x 16 x 16″ (134.6 x 40.6 x 40.6 cm). The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York)
Frank Lloyd Wright (American, 1867–1959). March Balloons. 1955. Drawing based on a c. 1926 design for Liberty magazine. Colored pencil on paper, 28 1/4 x 24 1/2 in. (71.8 x 62.2 cm). The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York)
Pedro E. Guerrero. Sixty Years of Living Architecture: The Work of Frank Lloyd Wright in New York. 1953. © 2017 Pedro E. Guerrero Archives.