Pico Iyer's essay about how Hollywood has been slowly steering away from Hollywood endings mentions recent films like Cold Mountain, Lost in Translation, House of Sand and Fog, and Mystic River as having darker or less resolved endings. But, as Iyer acknowledges, the tradition can be seen with Gone with the Wind or Casablanca. Which made Gothamist wonder what are the endings that linger more: Seeing Vincent Vega walk end Pulp Fiction alive (versus dead, had the film run sequentially) or James Stewart, left alone, the woman he loves dying twice, at the end of Vertigo? Hannibal Lecter getting away at the end of The Silence of the Lambs or Thelma and Louise getting away but not quite? Dorothy back at the farm in the Wizard of Oz or most anything Ingmar Bergman makes? For what it's worth, Gothamist loves seeing Katharine Hepburn and Cary Grant get together in a romantic comedy as much as we love seeing Woody Allen and Diane Keaton fall apart.

Some thoughts about the last scene of Lost in Translation.