Don't you just love that feeling of "discovering" a new artist that no one else knows about yet? The New Directors/New Films festival curated by the Film Society at Lincoln Center and the Museum of Modern Art's Film department have been keeping New Yorkers ahead of the cinema curve for 35 years now with their annual series. In the past they've showcased such newbies as Chantal Akerman, Pedro Almodóvar, Héctor Babenco, Terence Davies, Guillermo del Toro, Atom Egoyan, Nicole Holofcener, Spike Lee, Richard Linklater, Sally Potter, John Sayles, Steven Spielberg, Tom Tykwer and Wim Wenders, so you know picking at random from even just one of the 26 films in the series could yield a new favorite .
The Cinecultist's Weekly Repertory Movie Pick: New Directors/New Films
Elsewhere in the Ist-a-verse
Phillyist notes a fistfight between local pols that leaves one man down for the count. Jehovah's Witnesses get a Philly contributor out of bed, things get a little geeky with a film festival and geeky gets taken to a whole new galaxy when they talk with the Dragon Queen of the Dark Kingdom.
This Week's Music Picks
Recently nominated for the the UK's Mercury Music Prize, NYC's Antony & The Johnsons released one of the most unique and captivating albums of 2005. "Antony , the ethereal voice of Antony and the Johnsons, sings like a Wim Wenders angel and—when necessary—can swear like a sailor" [Village Voice]. Last time Antony played Bowery Ballroom, he was joined on stage by Rufus Wainwright and Boy George, both of whom also appear on his album. CocoRosie, who also collaborate with Antony in studio & on stage, open the show at Town Hall on Thursday (tix still available)
Wings of Desire
Wings of Desire plays tonight, Saturday, Sunday, and Monday (check here for showtimes; sometimes there is just one show per day).
New York Times Film Critics
The other Times Talk panel I went to was "Films that Deserve a Second Look" - films that New York Times film critics Stephen Holden, Elvis Mitchell, and A.O. Scott felt audiences missed the first time around. Many of the films they mentioned were victim to just being dumped by their distributors because they were not easily marketable as a teen comedy or date movie. Another problem is that films live and die in one weekend, whether a would-be blockbuster or arthouse film...word of mouth buzz no longer works as well as it used to and the fascination with box office grosses is not helping any. While most films were recent, there were some older films, and by master directors, proving not everyone gets a fair shake based on name alone. There were a few funny questions - one person asked what actors did not deserve to be on screen. A.O. Scott said, "You want us killed, don't you?" before Stephen Holden remarked about the difference between being a good actor and a movie star (some people have that charisma and may not be a good actor, but are movie stars; some of the finest actors don't have that charisma and thus are not stars). Sartorial gossip: Stephen Holden looked like everyone's kind of cranky uncle, in a polo shirt, sport jacket, khakis, and New Balance sneakers; A.O. Scott looked the rumpled academic, white shirt, sport jacket, wrinkled khakis with the cuffs rolled up and brown shoes; Elvis Mitchell looked like a mod rocker in a Prada suit and black boots. Here are the movies they picked - all I wish is that more people, outside of major cities, would be able to hear about these films and watch them.

