Part of the NBC 2.0 philosophy has been to put cheap programming on air as a measure to cut corners and save money. Even before the writers' strike this has meant a string of programs that are “unscripted,” such as cheesy game shows and of course the requisite fakeality nonsense. So taking quarterlife, a Web 2.0 based online show/online community from the creators of thirtysomething, My So-Called Life, and Once and Again, and sticking it on TV doesn’t seem like a big stretch. more ›

Banner week for SFist as the site's new editor introduced himself -- hooray for Brock! While the NY Times weighed in on SF's mayoral race, only SFist had the hard-hitting latest on candidate/activist Josh Wolf. Coverage of a protest vs. gentrification spawned a fantastic debate amongst SFist's readers. Finally, from the sublime to the ridiculous: video of a man that confused a Board of Supes meeting with "open mic night" and sang a custom version of Madonna's "Borderline" to a much-beleaguered board member. more ›

From the restaurant's hip design and web 2.0-esque name, brgr gives the impression that it churns out especially tasty burgers. Why else would they go through the trouble of creating a cool space for their vowel-less star creation and be able to charge $8 or more per bun-hugged patty if the food weren't awesome? more ›

Towards the end of the year, it becomes sport to wonder who Time's Person of the Year will be. It's sort of like wondering who will be on the cover of Sports Illustrated or who People's Sexiest Man Alive is (both are also Time Inc. publications, as it were). Time tried to get its readers excited, asking them to vote online for who they thought should be the Person of the Year, with choices being George W. Bush, Condoleezza Rice, Kim Jong Il, Al Gore, Mahmoud Ahmadinejad, Hugo Chavez, Nancy Pelosi, and The YouTube Guys. Well, if you bothered to vote, you never had a chance - Time decided to make "You" the Person of the Year. more ›

Rhizome.org and EAI are are conducting a panel tonight about the current expressions of Internet art in light of larger technological and cultural shifts. Including how the nature of online practice has changed over Internet art's first decade. more ›