Results tagged “walkerst”

THEATER: Len Jenkin's Kraken imagines the details of an actual 1856 encounter between Herman Melville and Nathaniel Hawthorne. Melville, his Moby-Dick long since met with a critical “meh”, was in the midst of a spiritual journey to Jerusalem – a trip that would, two decades later, yield the back-breaking, 2 Volume, 18,000 line Clarel: A Poem and Pilgrimage in the Holy Land. En route he stopped to visit his old Berkshire homey Hawthorne, now the American consul in Liverpool. In Jenkin’s dramatization, the two literary legends – neither one legendary in their day – spend the evening together confronting their “fears, failures, things of this world and the next”, etc. According to Hawthorne’s diary, ol’ Hermy may have droned on a bit: “Melville, as he always does, began to reason of Providence and futurity, and of everything that lies beyond human ken, and informed me that he had pretty much made up his mind to be annihilated; but still he does not seem to rest in that anticipation; and, I think, will never rest until he gets hold of a definite belief.” Garrett Eisler, who reviewed Kraken for the Voice, writes that the voyage does “dock at a satisfying port.” - John Del Signore

PARTY: The L Magazine celebrates their fourth year and 100th issue tonight at their Fourth-Annual Centennial Party. There will be complimentary tequila and goodies from Brooklyn Industries and Crumpler. Come, drink, celebrate and don't think about the hangover you'll have tomorrow.

THEATER: There’s a growing cultural phenomenon in Japan called hikikomori, in which young people (as many as 1 million) withdraw into their rooms and refuse any contact with the outside world, sometimes for years. (In America, it’s called adolescence.) The Attic, by acclaimed Japanese playwright Yoji Sakate, is about “a mysterious company that sells tiny ‘attics’ over the internet to people who want to withdraw from society. One man embarks on a quest to find the source of these dwellings after his brother commits suicide in one. On the path to discovering the source are several attic dwellers including a teenage girl and a kidnapper, samurai, polar explorers, soldiers fighting a multi-national war, and many other commonplace and fantastical characters.” John Beer at The Village Voice says, “It might come in a coffin-like box, but this witty, bizarre, and intensely moving production is a rare gift.” - John Del Signore

EVENT: Tonight PowerHouse books is having a signing event for the release of photographer Ron Galella's "Disco Years". This visual diary of the New York club scene in the 70's and 80's is sure to make you nostalgic for Studio 54 - even if that was before your time.

Along with producing shows by up and coming playwrights, one of the things off-off-Broadway does best is to resurrect plays first presented ages ago that have hardly been seen or thought of since. One such is V.R. Lang’s Fire Exit: A Vaudeville For Eurydice, which is nominally a modernization of the Orpheus-Eurydice myth but in actuality, at least in this incarnation, is more an opportunity for some majorly bizarre antics by a brave, eager cast. It’s the 1950s, and Orpheus, a hotshot young composer, marries Eurydice, who comes from a family of carnival folk, only to break her heart by caring more about his career than their life together. Fortunately, Eury grew up with the good examples of some wacky “aunts” – one of them played by director Barbara Vann – and she finally learns to embrace the performer in herself and not look back.