When Harold Pinter’s masterpiece The Homecoming first premiered on Broadway some four decades ago, the dramatized hostility was met with equal hostility from the bourgeois audience, as witnessed by the playwright himself:
One of the greatest theatrical nights of my life was the opening of The Homecoming in New York. There was the audience. It was 1967. I'm not sure they've changed very much, but it really was your mink coats and suits. Money. And when the lights went up on The Homecoming, they hated it immediately. 'Jesus Christ, what the hell are we looking at here?' I was there, and the hostility towards the play was palpable. You could see it.Continue reading "Opinionist: The Homecoming"


