Greg Gutfeld is a funny guy. The only problem is that his show, Red Eye with Greg Gutfeld is on at 2 AM on Fox News. But that's not his problem; it's yours-- because you don't get to watch his show. You miss out on fun guests like Dennis Kucinich, Harland Williams, and Johnny Rotten providing rapid-fire commentary on the day's events. But just because it's on at 2 AM and on Fox News isn't stopping it from getting positive reviews from the The New York Times and The Guardian . more ›

In 1979, Curtis Sliwa founded The Guardian Angels with the goal of making the streets and subways of New York safe. Now, 28 years later The Guardian Angels have 86 chapters worldwide in 9 different countries, are providing schools with anti-bully, anti-violence, anti-gang, and anti-drug programs, and educating people about the Internet. Gothamist sat down with Curtis to learn more about what the Guardian Angels have been up to... more ›

If you've ever wondered what the big deal is with fear-mongering over "big-box stores" and anonymous-looking architecture, The New York Sun directs your attention to Union Square. Once an aesthetically vibrant town point of commercial assembly, and it will probably always remain as such, the square is developing a severe style deficiency with all the warmth of a mall food court. James Gardner assesses the latest development around 14th Street:

The larger of the two, which is slightly less bad, is 8 Union Square South, which rises above what was once a four-story glass stair tower that Morris Lapidus designed for Crawford Clothes, a building whose survival was being debated by the Landmarks Preservation Commission even as the structure was undergoing demolition two years back. more ›

Police in NJ have released images of tattoos from one of four murdered women in hopes that someone can identify her. Last week, the women's bodies were found in a ditch behind a motel in Atlantic City, and investigators believe they were killed at different times in the past month and a half. All women had blond or dyed-blond hair and were positioned similarly; two of the women were prostitutes. more ›

Of course the big news in New York movies this weekend is the New York Film Festival which kicks off tomorrow at Lincoln Center. However, in an attempt reserve our NYFF excitement for a full post tomorrow, let's just focus on the regular releases. Here we go. more ›

This wouldn't, of course, be the first time that a woman has played a man, or vice versa. The Australian actress and the Duluth musician don't have that much physically in common, but that's no matter. There will also be a lot of other actors playing Dylan. more ›

Also entering its fifth year, Stereogum.com has been named Best Music Blog by Spin, Teen People and Forbes. Even Newsweek thinks it's hot. The site examines music through the prism of popular culture, and with over 500,000 unique visitors a month, it's safe to say it's the place for "indie yuppies" to discover the latest buzz bands. Site founder Scott Lapatine was recently ranked USAToday.com's 76th Top Person of 2005. Scott will be joined on the decks by co-bloggers Jim Jazwiecki and Jed Teres.

Maybe you couldn’t swing the cost of the Black Diamond All Access Pass, or perhaps you got blackballed from the St. Regis Hotel for trying to sneak into Larry David’s suite last year. Whatever your reason may be for not attending this year’s US Comedy Arts Festival in Aspen, you need not worry, a bit of it is coming to New York throughout the week. Flight of the Conchords, named Best Alternative Comedy Act at this year’s festival, will be performing their show at various venues around the city. Self described as “New Zealand’s fourth most popular folk parody duo”, Jemaine Clement and Bret McKenzie perform their own ingenious brand of acoustic musical comedy. The Guardian described them as having “virtuoso musicality and superbly gormless banter”. If you see one gormless show this week, Gothamist thinks this should be it. more ›

When Gothamist caught wind of the new Metallica "rockumentary" it took us about 4 seconds to sink into the nostalgia of early high school and dust off our patched up acid washed jean jacket. Posters of this foursome stuck to our walls for at least a year before being replaced with more age appropriate things. Metallica as a band remained, but personal musical tastes on our side expanded, and faster than you could say "Napster" they were no longer a part of our daily musical diet. They cut their hair, we grew out our perm and moved away from the metal genre. Still, Metallica only comes second to NIN when a need for downtrodden lyrics and pissed off chords (or motivation for the gym) comes up. more ›

Showers and clouds all day long. more ›

As the natural, expected follow-up to yesterday's post about Best Movie Sex Scenes, Gothamist looks bad movie sex scenes. Using The Guardian's list based on reader opinion as a starting point, of course Gothamist agrees that the love scene between Neo and Trinity in The Matrix: Reloaded is ridiculous, but the very worst scene ever? Come on, at least these two leads are sexy and appealing, even if the context and Zion is stupid. Number 2, Showgirls - that's too easy and at least it's funny. Gothamist would offer that number 4 choice The Specialist, starring Sylvester Stallone and Sharon Stone, takes the cake. They were so sculpted and oiled up in an overchoreographed shower sex scene that we thought we were watching statues flex. Not hot at all. Other films mentioned, like Color of Night and Disclosure (pretty much anything with Michael Douglas post-Romancing the Stone) are definitely up there. more ›

The recent release of Claire Denis' Vendredi Soir, a languorous film about a one night stand, has provoked some questioning about what makes a great movie sex scene. Is it fantasy or realism? Anticipation or the act? The Guardian looked at two lists of "hottest movie scenes" from Premiere and Playboy. more ›

The combination of listening to Ani DiFranco's You Had Time and reading Bridget Harrison's latest column (the one night stand question) in the Post totally depressed me. Well, mainly Bridget Harrison still being upset about her breakup depressed me. I think the Ani DiFranco song is lovely, which I was reminded of when I read Nick Hornby's Songbook, which is a collection of essays about songs he loves. (My favorite essays are the ones about Nelly Furtado's I'm Like a Bird and Badly Drawn Boy's A Minor Innocent.) more ›

Gothamist's imagination was captured by the story of Alfredo Scappaticci, a.k.a. Stakeknife, a British spy who had been undercover in the I.R.A. for 30 years. He was about to be named by various British media outlets, so he was moved to a safehouse. This does not bode well for peace with Northen Ireland. The Sunday Herald had an exclusive about Alfredo Scappatici, and the uproar comes because although he was the secret weapon the British had against the I.R.A. and Sinn Fein, he participated in many murders. The possibility that innocents died to protect his cover doesn't help things. Stakeknife's picture ran in the Daily Mirror, while most publications did not. The Guardian also details how Stakeknife was unmasked. more ›

There have been questions about whether reporters' deaths are getting too much attention, rather than focusing on the soldiers. Gothamist understands that point, it's important to focus on the men and women doing the job, but if you have watched or read a certain journalist on a regular basis, for many years, inevitably, you develop a relationship with him/her. And that's the case with David Bloom, whether we watched him report from the White House or rode toy cars on Weekend Today, we felt like we knew him. And that's why it seems, just seems, to cut harder than hearing about a soldier die. more ›

The New York Times has film critic Molly Haskell write about film going now versus then, then being the 60s and 70s, really. It's a lovely article, and, for me, made lovelier by her mention of husband, Andrew Sarris, my favorite film critic. She writes that they met at a screening of "Les Bonnes Femmes," the 1960 Claude Chabrol film. Sarris, in the class I took with him at Columbia (International Film 1960-present), screened "Les Bonnes Femmes" and now I like think that his fondness for the film extends to the context he saw it in. more ›