For the past four decades, Richard Foreman has challenged and fascinated audiences with a deeply idiosyncratic aesthetic incorporating traces of vaudeville, Jungian philosophy, slapstick, surrealism and myriad other disparate sources to create what he calls the Ontological-Hysteric theater. His newest “theatrical machine”, called Deep Trance Behavior in Potatoland, is the third in a series of works that heavily emphasize video projection, this time shot on location in Japan.
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THEATER: Breedingground Theater Company continues their three week Spring Fever Festival of work by self-producing artists. (We suggest perusing the full lineup on the company’s website, though we caution that it's quite an eyesore.) Nevertheless, one that happily caught our eye is Chess’d, about a ninja and a man in a white tux playing a game of life-sized chess. The game escalates into a no-holds-barred life-or-death struggle, which reviewer Daniel Kelly declares “hilarious from start to finish.” Another possibility is the heady Simulacra: a modern myth, which concerns “an amnesiac TV junky running a freakish temperature and channel surfing a crumbling reality on a quest to recover her identity.” (We’ve been there!) According to reviewer Mark DeFrancis, the show “takes everything from MySpace to the Greek gods and somehow manages to fuse them into a sleek, frenetic production about self-identity, materialism, and mass media.” - John Del Signore
There's an interesting NY Times New York region op-ed that's supportive of marketing ventures most anywhere, like Geico's unsuccessful George Washington Bridge toll plaza marketing deal.
- Acela trains


