Results tagged “stew”

There was a futile rush-ticket line stretching halfway down the block outside the Director's Guild Theatre on 57th Street last night for the New York premiere of Spike Lee's Passing Strange, which documents the critically acclaimed rock musical using a concert-doc aesthetic not unlike Jonathan Demme's Stop Making Sense. Tickets to the extremely sold-out Tribeca Film Festival screening were exclusively offered to American Express Cardmembers, but Passing Strange fans shut out last night will at least be able to see it on TV; in a post-show discussion last night, Lee revealed that the film will be broadcast on PBS's Great Performances series, and he added that a theatrical distribution may be in the works. (There is also a second and final screening tonight as part of TFF.)

The Tony, OBIE and Drama Desk-award winning rock musical Passing Strange will close June 20th after a six month run on Broadway, during which time the show failed to translate massive critical acclaim into box office profits. Attendance hovered around 50% capacity for most of the run, and producers’ hopes for a post-Tonys boost were dashed when Latino musical In the Heights dominated the awards.

           

After last year’s stuffy exile at NYU’s Skirball Center, the Village Voice Obie Awards were back at the raucous, open-bar Webster Hall – or rather the Ritz, as Stew, co-creator of the phenomenal Broadway rock musical Passing Strange recalled. For over fifty years, the Obies have honored the best of Off Broadway and Off-Off Broadway theater; coming on the heels of last week's Tony nominee announcement, the awards serve as a pointed reminder that the most exciting theater usually happens far away from the big stages in Times Square.

Glory Days, the new musical written by a pair of twenty-somethings from Virginia, closed after its official opening night last night, joining such Broadway flops as Moose Murders and Teaneck Tanzi in the illustrious "Open/Close Club." The negative reviews proved too much for producers, who chose to pull the plug and eat their $2.5 million investment. In writing his delicate pan, Ben Brantley noted that the producers “have done this little, hopeful show no favors by dragging it into a spotlight that invites close and unforgiving inspection.”

If you haven’t yet seen the phenomenal new Broadway show Passing Strange, you’re really missing out. There are plenty reasons why you don’t dare pass on this electrifying, decidedly un-Broadway triumph, but it’s Stew, the single-named writer, co-composer and onstage narrator of Passing Strange, who’s best equipped to sell you on it: “You wanna know the most terrifying combination of words in the English language to me? Rock Musical. Because the music featured in such so-called productions is stuff that no self-respecting rock fan would ever be caught dead listening to. Therefore, Passing Strange is the musical you can take your friend to who hates musicals.”

in the Iberian Peninsula during the time of the Inquisition.

I hate going to Broadway shows: fighting through the mobs in Times Square, being herded into the theater like livestock, cramming into a tiny seat while feedback from hearing aids and hacking coughs reverberate on all sides. Admittedly, I’m a world-class grouch when it comes to these things, so it’s no faint praise that I’d eagerly subject myself to it again for Passing Strange, the multidisciplinary rock musical that just blazed onto Broadway. It’s a phenomenal experience that deserves a run ten times longer than Cats and Phantom combined.