Results tagged “saulsteinberg”

If you've perused the latest issue of the New Yorker, you may have noticed a rather long letter to the editor about a January cover (by Mark Ulriksen, pictured above). If you didn't, here's how the letter starts:

Mark Ulriksen’s “Winter Pleasures,” an impressionistic rendering of Grand Central Terminal’s main concourse, depicts the famous golden clock bathed in sunlight (Cover, January 28th). Note that this can be only an eastward morning scene, not a westward afternoon. The angle of the long axis of the concourse, following that of Manhattan’s east-west streets, is not 90° but 119° east of north, and aligns with the sun through its “west” windows only from late May to early July, and then only at an elevation of less than 3°. But aren’t those the south-side ticket windows at the left of the picture, with the tracks and trains therefore on the right? And doesn’t the clock seem to read three-fifty, hardly a time for the morning sun?

You can read the rest here, after your head stops spinning.

There's nothing like a mean New Yorker cover to get Brooklyn intellectuals into a huff. Two weeks ago, the cover of the New Yorker featured God's hand banishing Adam and Eve across the Brooklyn Bridge into Brooklyn, in an illustration by Marcellus Hall called "Unaffordable Eden." The Daily News spoke to some enraged Brooklynites, who think the idea of Brooklyn being a second-class borough is outdated, scoffing at Manhattan denizens who think Manhattan is "the entire city," and realtors, who say Manhattanites who move to Brooklyn feel "clever." And, yes, Brooklyn BEEP Marty Markowitz wrote a letter, saying:

I am concerned, however that my copy of the issue may have been missing a second panel, in which the couple realise that what awaits them on the other side of the bridge is not a dark cloud of doom but the promised land itself. High rents might push some residents out of Manhattan, but we Brooklynites welcome these emigres with open arms to our better quality of life, our unrivalled diversity and maybe even a nice brownstone...What better than the hand of God to direct you toward the most divine bagels and lox?

For his part, illustrator Hall told the DN, "Manhattan is still one step up from Brooklyn in terms of where it's at," adding that he loves Brooklyn but the "idea for me was just to depict Manhattan as a paradise." Gothamist found it funny that the DN called the cover controversial, but it's no Hasid kissing African Amercian woman from Art Spiegelman or Saul Steinberg's View of the World. And while the New Yorker definitely epitomizes a certain mindset and attitude, the New Yorker's cartoons and illustrations aren't necessarily the greatest representations of what New York really is.