The Greek myth of Orpheus and Eurydice is the quintessential tale of love lost, nearly regained and then agonizingly lost again. When Eurydice dies on their wedding day, her musician lover Orpheus, "father of song", journeys down to Hades to rescue her. The man shreds so hard on the lyre they let him escort Eurydice back to the land of the living, with the caveat that she walk behind him the whole way – if he so much as sneaks a peek at his beloved before they reach terra firma, she'll be lost forever. Of course all this happened way before D.A. Pennebaker's documentary Don't Look Back was released; had Orpheus been familiar with that particular title mankind might have been denied one of the most heartbreaking love stories ever conceived, not to mention a moment of 'D'oh!' unrivaled by Homer himself.
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Continue reading "Opinionist: Eurydice"
While filing out of the Laura Pels Theatre after Patrick Marber’s Howard Katz, a woman of a certain age was heard exclaiming, “A tour de force!” Having brandished that over-ripe phrase myself on probably too many occasions, I was amazed to hear it applied to the play we’d just sat through. Had I been misusing it all this time? Was the expression actually French for “a total waste of time”?
Continue reading "Opinionist: Howard Katz"
Rachel Corrie was an American college student killed by an Israeli bulldozer while trying to block the demolition of Palestinian houses near a refugee camp in Gaza. (Israel officials claimed the demolitions were intended to stifle attacks along a road parallel to the Egyptian border.)
Continue reading ""My Name is Rachel Corrie" Discussion"
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