(directed by Danièle Thompson)
Results tagged “sandrabullock”
, has become known for his ability to elicit naturalistic acting performances from his handsome young actors and that style expertly employed in this new movie. Visually, the movie strives to also be low-key, though it is beautifully composed. Scenes that might have been played for massive dramatic appeal--like the murdering of four officers in a pub's back room [pictured]--are delivered with little visual or musical preface and as a result have an even more powerful impact. This should be a note to Hollywood, violence doesn't always have to have the fan fair of a video game. (Fun fact about Loach's casting process/attention to real details: Murphy, as well as other some other actors, are from County Cork where the movie was shot and thus have totally authentic accents.)
This week, Sarah Michelle Gellar is back for more creepy girls hiding in her hair in the new sequel, out this weekend in the hopes that it will bolster rumors of a Stewart/Colbert ticket in '08.
This weekend Hollywood says what moviegoers liked once, they'll sure love twice as the sequels hit theaters. Now you may be asking yourselves, did we really need another movie about bad boys in fast cars or another flick about a fat, talking cat? Apparently, we did and they both needed to be set in an exotic international local, Japan and England, respectively.
Last year Gothamist headed down to Austin for SXSW to help launch Austinist amongst other things. This year we're headed back down to throw our own Austinist + Gothamist day party. We'll have a pretty flyer and more details to post on that soon, but for now we're going to tell you about the afterparty...
JC: ALL RIGHT! I just took extra Vitamin C - I'm waiting for some food delivery.
The Film Society of Lincoln Center has put up the lineup for the New York Film Festival 2005 and it looks, as usual, to be a fun time. Opening the festival is George Clooney's second try at directing "Good Night, and Good Luck" about news reporting in the 50s and the McCarthy hearings ("Have you no sense of decency sir?"). The centerpiece movie is Neil "The Crying Game" Jordan's "Breakfast on Pluto" starring Cillian Murphy as a young man in 70s Ireland who was abandoned as a child (is it just us or is this Murphy guy suddenly everywhere?). Closing is "Caché (Hidden)" directed by Michael Haneke (who won best-director for Caché at Cannes this year).
The 48 year-old Gordon has been arrested and charged with assault and could be fired. The MTA's spokesman says the MTA "will not tolerate aggressive behavior of any kind against our customers" and plans to investigate. Gordon could disciplined or dismissed if found to be at fault. The Post notes that 160 token booths will be closed this year.
It was sad to hear that Lynne Thigpen, the wonderful stage, TV and film actress, died suddenly yesterday. While she was a Tony-winning actress and had a role on CBS's "The District," she is close to Gothamist's heart as the hard-boiled, no nonsense Chief from "Where in the World is Carmen Sandiego?" Based on the seminal children's computer game, the show was a mix of social studies game show and international intrigue, PBS style.
The other Times Talk panel I went to was "Films that Deserve a Second Look" - films that New York Times film critics Stephen Holden, Elvis Mitchell, and A.O. Scott felt audiences missed the first time around. Many of the films they mentioned were victim to just being dumped by their distributors because they were not easily marketable as a teen comedy or date movie. Another problem is that films live and die in one weekend, whether a would-be blockbuster or arthouse film...word of mouth buzz no longer works as well as it used to and the fascination with box office grosses is not helping any. While most films were recent, there were some older films, and by master directors, proving not everyone gets a fair shake based on name alone. There were a few funny questions - one person asked what actors did not deserve to be on screen. A.O. Scott said, "You want us killed, don't you?" before Stephen Holden remarked about the difference between being a good actor and a movie star (some people have that charisma and may not be a good actor, but are movie stars; some of the finest actors don't have that charisma and thus are not stars). Sartorial gossip: Stephen Holden looked like everyone's kind of cranky uncle, in a polo shirt, sport jacket, khakis, and New Balance sneakers; A.O. Scott looked the rumpled academic, white shirt, sport jacket, wrinkled khakis with the cuffs rolled up and brown shoes; Elvis Mitchell looked like a mod rocker in a Prada suit and black boots. Here are the movies they picked - all I wish is that more people, outside of major cities, would be able to hear about these films and watch them.
Stephanie Zacharek of Salon is one of my favorite film critics today. She's smart, funny, a huge Buffy fan, and incisive. I admit to being disappointed when she likes something I don't or vice versa, but she's the only female movie critic worth reading these days (well, Manohla Dargis of the L.A. Times is pretty great). What solidified this feeling my agreement with her position that she can't give up on Sandra Bullock yet and that Hugh Grant is better as scoundrel than sop. Check out her review: Salon.com Arts & Entertainment | "Two Weeks Notice"


