He materializes upstage wearing dark skirts, some sort of plastic tube stuffed in his mouth, his hair tied in a spiky pony-tail, a plastic duck in a birdcage hugged to his chest. The classic Chordettes oldie Mr. Sandman is playing, and in a flash we're once again transported to Foremanland, a singular dimension of feverish theatrical provocation, devoid of conventional narrative but rich with humor and deliciously inspired tableaux.
Many know New York native Gaius Charles as star running back Brian "Smash" Williams in the hit high school football series Friday Night Lights. But Public Theater audiences are about to know him as the Duke of Venice, star potentate of the Most Serene Republic of Venice, in William Shakespeare's Othello. This hotly anticipated production, directed by minimalist avant-garde opera and theater director Peter Sellars, electrified Vienna earlier this summer and makes its American debut on Saturday, for 23 performances only. The cast also includes the reliable and potentially riveting match-up of John Ortiz as Othello and Philip Seymour Hoffman as Iago—and that probably has something to do with why the run is almost sold out. During rehearsals last week Gaius spoke with us about Sellars's production, what the play means for contemporary audiences, and the odds of returning to Friday Night Lights for a cameo.
Paging Bret Michaels! Anne Hathaway has put herself on the auction block at eBay, and the asking price is currently a measly $1,248.56. The listing says: "Treat your daughters or two special people in your life to an unforgettable afternoon or evening with film star and Academy Award nominee Anne Hathaway. This once-in-a-lifetime event includes tea with your family (you and two guests) at Sweetiepie, the West Village’s pretty-in-pink dessert eatery that’s perfect for kids of all ages, or cocktails with you and two friends with Anne at another mutually agreed-upon New York City location." There is a 0% chance Ms. Hathaway is ending up at a tea party. And while her ex probably can't afford it, maybe for an extra 500 bucks she'll dress like a boy. (P.S. Free shipping! And all proceeds go to the Public Theater.)
For thoughts on four other Under the Radar productions (Tim Crouch's site-specific England; Pan Pan Theatre's The Crumb Trail; Kassys's LIGA, 50% reward & 50% punishment; Reggie Watts's Transition) click on the above images.
Danny Hoch is widely renowned for bringing authentic stories from the New York City streets into the often effete and insular world of theater. While you might recognize him from his supporting role in last year’s We Own the Night or Whiteboyz, the '90s film he wrote and starred in, he is most known for his work on the stage. His latest show, Taking Over, is a return to his signature one-person shows where he takes on a wide spectrum of New Yorkers. In this show, he tackles the hot button issue of gentrification, focusing in on the transformation within Williamsburg primarily from the perspective of natives who have lived through the influx of new residents coming into their neighborhood. The result is a show that often tiptoes an uneasy line of venting the frustrations of lower-income New Yorkers who hoped the impact of new money would mean better hospitals and instead have woken up to an abundance of muffin shops. Taking Over is running at the Public Theater through December 14th.
In Los Alamos New Mexico, there's a man named Ed Grothus, who for many years worked at the nuclear research laboratory until being dismissed in the '60s after participating in a peace march. But instead of leaving the nuclear company town that is Los Alamos, Grothus stayed put and began amassing all sorts of surplus junk discarded by the labs. His collection, called The Black Hole, is now incalculably vast, and has become a pilgrimage destination for technology geeks, pacifists, and atomic tourists. Mike Daisey, the monologist, went there too, and after seeing his new solo show, If You See Something Say Something, I feel like I was there with him.
The Public Theater has busted up a group of "professional line sitters" who've been queuing up for hours every day to get free tickets to Hair in Central Park, then selling them through Craigslist for $150 a pair. one ticket-ring mastermind, William Conklin, tells the Times he was shooed away a couple weeks ago, along with 30 other others (including several people he subcontracts to wait for tickets). Public Theater employees became suspicious after seeing the same people "over and over again" on line, and began checking to see if they actually attended the performances. Artistic Director Oskar Eustis defended the move, insisting that free theater “means that your time and presence — waiting in line — matters more than your money. In our commodity-obsessed money culture, that’s a vital civic touchstone. Some things shouldn’t be measured in dollars.” Tickets for Hair are available through the Public Theater website for $160 each.
If you happen to be reading this in East Harlem, you’ve got a good shot at getting quick tickets to the Shakespeare in the Park revival of that ‘60s rock musical HAIR – you know, the one with that song "Age of Aquarius" from The 40 Year Old Virgin. The Public Theater is giving away vouchers for free tickets in all five boroughs through Saturday – today they’re at the El Museo Del Barrio (1230 5th Ave @ 104th Street) until 3 p.m. Sure, tickets are free anyway, but there's (theoretically) not such a crazy line for these. Just check the website for all the uptight, 21st century details about what “voucher” means to those squares at the Public.
For the first time, tickets for the Public Theater’s free Shakespeare in Central Park shows will be made available online. While most tickets will still be given to those who wait for hours (pictured) in Central Park, a limited number will be available to theatergoers who log on to the Public theater website at midnight before each day’s show and submit a request for up to two tickets.
In the past several years, writer and performer Mike Daisey has become widely known as one of the most compelling artists working in the solo monologue format first trailblazed by the late, great Spalding Gray. If you're not familiar with Gray's work, you'll be forgiven if the word 'monologist' makes your eyelids droop, but in the right hands the form is as riveting and rewarding as the best ensemble theater. And Daisey's hands are assuredly right; typically seated at a desk with just a microphone, Daisey has a knack for disarming his audience with an approachable persona, incandescent wit and a gift for virtuoso storytelling.
THEATER: Lisa Kron’s solo play 2.5 Minute Ride, which won an OBIE when it premiered at the Public Theater in 1999, is currently being revived with Nicole Golden as the autobiographical “Lisa.” The play concerns Lisa's attempts to make a documentary about the life of her father, a German Jew who survived the Holocaust but lost his parents at Auschwitz. 2.5 Minute Ride finds him, in his later years, a blind diabetic with a heart condition and a passion for roller coasters. Allison Taylor deems it as comical as it is intense; a “patchwork of anecdotes about Kron's family, including memories of her Midwestern mother; an annual trip with her embarrassing relatives to the Cedar Point amusement park; and her brother's Orthodox wedding… genuinely poignant and simultaneously funny.” - John Del Signore
FOOD: Drinking With the Professor: a Look at Jerry Thomas and His Liquid Legacy: Join cocktail maestro Dave Wondrich as he shares recipes from his latest book, Imbibe! plus a few that were cut in the editing process. Wondrich has an in-depth knowledge of nineteenth-century classic cocktails, so step up and taste the benefits. - Laren Spirer
MUSIC: When we talked to Jonny Greenwood (pictured) back in October, Radiohead's In Rainbows wasn't the only focus. His composition titled Popcorn Superhet Receiver will be performed tonight by The Wordless Music Orchestra with Brad Lubman as conductor. When we asked Greenwood if he would be in attendance, he said "I’d love to but I can’t really justify the flight just to come to that. I’d feel a bit weird about it. If I was in America already for touring or something I’d love to go but I can’t really justify it. It’s a shame." Since you won't be using as many carbon emissions to get there, we suggest you go.
FOOD: Trestle on Tenth, the “homey joins hearty” Swiss-inflected restaurant that takes its name from its proximity to the High Line and the avenue where it’s found, kicks off a special five-night series called “metzgete.” The Swiss tradition loosely translates to “butchers affair” and arises from the practice of salvaging every scrap of pig after the winter slaughter – “especially those parts that would or could not be dried, smoked or pickled for later consumption.” The $24 Trestle plate will include everything from braised belly to homemade bratwurst to liver and blood sausages. – John Del Signore
THEATER: Over the summer the Belarusian Free Theater was arrested, along with their audience, during a performance of their play Being Harold Pinter, which uses Pinter’s magnificent Nobel Prize acceptance speech as a springboard for theatrical dissent, something the Belarus police state isn't really so into. (For that reason, the company’s performances are normally held secretly in alternating private apartments.) Unable to bring the entire production to New York for his Under the Radar festival, Artistic Director Mark Russell instead invited journalist/playwright Nikolai Khalezin (pictured) to present Generation Jeans, his solo show with DJ; it’s a semi-autobiographical account of a freedom fighter and the beginning of the “Jeans Revolution.” – John Del Signore
In 2004, Mark Russell resigned from his position as Artistic Director of P.S. 122 after more than two decades spent developing the theater into a mecca for wildly adventurous performance art. And he hasn't looked back; in addition to serving as Artistic Director for Portland's Time Based Art Festival, Russell has remained a major force in New York with his Under the Radar Festival, now in its fourth year and headquartered at the Public Theater. The event draws performers and audiences from around the world for what has arguably become the most exciting theater festival in New York City, a town lousy with them. Russell's impeccable taste is integral to Under the Radar's success; as Eric Bogosian – who got his start at P.S. 122 in the 80s – puts it: "Russell is a genius at finding the awkward new stuff, the gems and diamonds no one's noticed yet. If the 'artist is the antenna of the race,' then Mark is the antenna of the antenna."
THEATER: Under the Radar, arguably New York’s most exciting theater festival, begins today at The Public Theater and a few other odd locations like the Whitehall Ferry terminal. (There are also a few shows at the Classic Theatre of Harlem, P.S. 122 and The Kitchen.) One of the most buzzed about site-specific shows is Etiquette by the London company Rotozaza. It was a surprise hit at last year’s Edinburgh Festival; here the experience takes place at the East Village Ukrainian restaurant Veselka and involves only two actors: you and a friend (or stranger). It’s described as “a private theatrical experience for two people in a public space; the participants take a seat across from each other at a small table (the stage), put on headphones and follow a recorded script, complete with stage directions taking them through a half-hour play, in which they are both performers and audience.” And after the show, you can get pirogies with the cast! – John Del Signore
ART: Art, fashion and blogs meet tonight at the Met. In an exhibition entitled blog.mode: addressing fashion, viewers will be able to comment on what they see. It's "the first in a series of shows designed to promote critical and creative dialogues about fashion. The exhibition presents some forty costumes and accessories dating from the eighteenth century to the present." Visitors are then encouraged to share their reactions online or from a "blogbar" of computer terminals in the exhibition galleries. Pictured is one of the dresses -- you know you have comment about it.
THEATER: Eugene O’Neill’s early one-act plays get a rare blast of daylight in The Pioneer, a new production that stages four of his nascent gems plus a whimsical monologue O’Neill wrote from the point of view of his dog. The plays boast O’Neill’s signature assortment of furious, flailing characters that would come to dominate his full-length work. Writing for the Times, Rachel Saltz notes that the plays range from “interesting” to “wonderful” and concludes that...
In The Brothers Size, three shirtless black men struggle for scraps of peace and prosperity under the blazing sun of some unnamed, dirt poor southern town. Ogun and Oshoosi Size are two recently reunited brothers – the older, more responsible Ogun has taken Oshoosi in after he’s released from prison. Oshoosi makes a halfhearted go at rehabilitation working at Ogun’s auto-body shop, at least until the appearance of his old jailbird buddy Elegba, who surfaces...
Last week Paula Scher's exhibit of painted city maps opened at the Maya Stendhal Gallery (running through January 26th). The Pentagram design firm partner has created the looks of the Public Theater, the Metropolitan Opera, Jazz at Lincoln Center, Symphony Space, the High Line, the Asia Society (and more) through logos. This exhibit expands on her Maps series which took over the gallery last year, and depicts "entire continents, countries and cities from all...
EVENT: The NY Horror Film Festival kicks off with a party at Don Hill's tonight. Terrifying short films and some creepy classics are promised throughout the fest, as bands M-16, Kaos From Order and more set the sonic tone tonight. Free Wychwood Brewery beer from 8 to 9pm. More details here.
The NY Sun takes a look at the impact of graphic design firm Pentagram on the city’s arts institutions. The article focuses mostly on partner Paula Scher, who has created identities for the Public Theater, the Metropolitan Opera, Jazz at Lincoln Center, Symphony Space, the High Line, the Asia Society and a host of others.
READING: Rosemarie Tichler, casting director and artistic producer at New York's Public Theater, and playwright Barry Jay Kaplan have put together a written work called Actors at Work. Tonight they'll be discussing this quintessential, and inspirational, resource.
EVENT: Together, the New York Book Club and the Gotham Center present "Resistance: A Radical History of the Lower East Side," with Michael Rosen, Al Orensanz, Jay Blotcher, and moderator Clayton Patterson. They'll tell you all about how the LES "experienced massive changes during the 1980s and 90s," including stories from the activists, writers, artists, and residents who lived it. More info here.
This season Shakespeare in the Park started off with Romeo and Juliet, a play that surprisingly hasn't seen the outdoor Delacorte Theatre since 1968, when Martin Sheen played Romeo to Susan McArthur's Juliet. On July 8th the run will end, and A Midsummer Night's Dream will finish up the season. With notoriously long ticket lines to gain the free pass to a show, many miss out on these performances due to lack of time alone. So how is this season (under Michael Greif's direction) going so far? The reviews are mixed.
TOMORROW!: (Due to expected rain, this event will take place tomorrow.) It's that time again...Shakespeare in the Park is back and kicking off its season tonight. Want to add some tragedy to your summer sunset this evening? Then head over to get tickets starting at 1pm today for Romeo and Juliet.
MUSIC: You know summer is just around the corner when the Seaport Music Festival has their first show of the season. Tonight Animal Collective, Danielson and XXXChange (Spank Rock) will all be on Pier 17 for a FREE show! Come, drink, listen.
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