Results tagged “publicart”

Last week the Public Art Fund’s new exhibition at City Hall Park (Peter Coffin’s Untitled Sculpture Silhouettes), was unveiled. Currently you'll be able to find 13 monumental silhouettes of iconic artworks around the park (and miniature versions inside City Hall's lobby), including variations on Rodin’s The Thinker, Picasso’s She Goat, Michelangelo’s David, and one of Sol LeWitt’s Incomplete Open Cubes.

The first FAILE wheel has been found! Someone posted a photo (more here) on the Brooklyn collective's message board stating they found it in a dumpster. Of course, this was followed up by asking the other posters how much it is worth and mentioning it may be landing on eBay soon. The thief seems to give himself away a few times, changing his story around and mentioning he would gladly issue a public apology if FAILE contacted him. Because, you know, people apologize for finding stuff all the time.

Public art is everywhere these days, and Dylan Mortimer’s work may be the most provocative piece in the city at the moment. The NY Post reports that his prayer booths are located by the Roosevelt Island tram in Manhattan, and are meant to "get people talking." The Parks Dept. describes the interactive Public Prayer Booth as a synthesis of a telephone booth and a prayer station, where "the viewer can flip down a kneeler and engage in prayer." The artist, who is from Kansas City and a graduate of SVA, says, “My goal is to spark dialogue about a topic often avoided, and often treated cynically by the contemporary art world."

Cooper Union has taken down the giant Stalin banner that went up this week following pressure from the Dept. of Buildings, which had received complaints. The banner was part of Lene Berg's installation, “Stalin by Picasso, or Portrait of Woman with Mustache.” The school recognized that it may be particularly sensitive circumstances to have it up--with a large nearby Ukranin community keenly aware that it is the 75th anniversary of a famine imposed by Stalin that killed millions of Ukrainians. Jaroslaw Leshko, the president of the board of trustees at the Ukrainian Museum, did not want to kibosh the installation and suggested it be put up somewhere indoors. But Berg was more than unhappy with the move, saying, “In a sense, I think it’s self-censorship...They ruined my show, my work.”

Starting next week artist Tadashi Kawamata will make the above rendering a reality in Madison Square Park. His "tree huts" represent his "interest in the architecture of shelter and of the insertion of private objects into public spaces as a method of renegotiating the meaning of both." But how long do you think it will take until someone tries to climb into or inhabit one? Stay tuned for more images as the huts are built next week. [via NY Times]

Ever wonder what Andy Rooney has to say about all the public art displayed in the city? Well, here he is mouthing off on what he calls "pretentious nonsense," amongst other things.

    

Olafur Eliasson's hyper-anticipated Waterfalls began flowing this morning at 7am, under a dreary, overcast sky. They'll be from 7am to 10pm every day until October 13th, except on Tuesdays and Thursdays, when they'll be turned on at 9am. For a list of good viewing spots, click here.

Olafur Eliasson's Waterfalls start flowing tomorrow morning-- perhaps as early as 7am, but sadly, the Circle Line tours of the bay don't start until Friday. So if you want a good view (or a good picture) of these babies, you're going to have to view them from land. No problem: we've marked the best viewing spots for each one on the map above.

The New York Times has fever also, featuring an image of the public art project that is set to flow starting tomorrow by 9 a.m. First announced in January, the project, conceived by Danish artist Olafur Eliasson, involves four man-made waterfalls along the shores of Brooklyn, Manhattan, and Governors Island: by the Brooklyn anchorage of the Brooklyn Bridge, between Piers 4 and 5 in Brooklyn, in Lower Manhattan at Pier 35, and on the north shore of Governors Island.

     

While a Tom Otterness sculpture can really brighten up the dark underground of New York, for his latest installation he's shedding some sunlight on his work. The above was just installed in DUMBO near the pedestrian exit to the Brooklyn Bridge.

Details have emerged on the ambitious, $15 million East River waterfalls project coming to New York in mid-July to cap off the Olafur Eliasson retrospective at MoMa. The project will consist of four man-made waterfalls, ranging 90 to 120-foot tall, installed temporarily at four sites along the shores of Brooklyn, Manhattan, and Governors Island: by the Brooklyn anchorage of the Brooklyn Bridge, between Piers 4 and 5 in Brooklyn, in Lower Manhattan at Pier 35, and on the north shore of Governors Island. The waterworks will flow from 7am to 10pm seven days a week, will be lit after sunset, and operate from July to October.

Danish–Icelandic artist Olafur Eliasson will work with the Public Art Fund – a nonprofit that brought Anish Kapoor's "Sky Mirror" and Jeff Koons's "Puppy," to Rockefeller Center – to bring freestanding waterfalls to the East River this spring. The project will be officially announced tomorrow, but a source tells the Sun that the waterfalls will rise 60 to 70 feet above the water, which is more than half as high as the Brooklyn Bridge roadway. The spectacle will be visible from the area around the Seaport and Brooklyn Heights.

This past weekend, an aluminum tree sculpture, dubbed A Tree for Anable Basin, built upon a floating island, set sail off Hunters Point. The project by Chico MacMurtrie and Amoprhic Robot Works was conceived to investigate and celebrate "the enigmatic, rapidly changing waterfront environment of Long Island City." It also acts as a "condominium for birds"; the press release reads:

It is designed to emote the displacement of nature, specifically of migratory water birds by industrial activity and urban development.

Continue reading "Anable Tree Floats in the East River"

Hey Gothamist - Do you guys know what's up with the yellow cabs that have flowers painted on their hoods?

Diamond asked the residents of New York City's most diverse nabe about their food preferences and solicited recipes. Her project, which is being presented by the Queens Museum of Art, runs through October 14. The goal of "This Is What Eat," is to "unite and empower its readers through food." Based on the diversity of recipes it seems to be a resounding success. The dishes run the cultural gamut from red beans and rice and macaroni cheese to shrimp ceviche and Belgium Chicken Soup.

In December the Hudson River Trust announced two new pieces of art being installed at an (also new) northern Chelsea park (at Pier 66), one being a giant waterwheel. The wheel is currently installed at the end of Pier 66 near 25th Street and was inaugurated at a ceremony yesterday. It uses the river's changing tide to power an odometer which has been functioning since April.

We recently got the new Creative Time book, aptly titled Creative Time: The Book. Unable to wrap our heads around what on earth The Urban Visual Recording Machine was after reading about it, surely we'd understand after getting our hands on the book where it plays the protagonist.

In one of those weird societal flip-flops, The New York Times today reports on a group of graffiti artists who are suing to limit the expropriation of their commercial property for public display. The Tats Cru and a dozen other street artists whose work don the walls of buildings all over the city are suing the author, publisher, and an exhibitor of a book about urban murals - aka in NYC. They feel that the expropriation via public display of their work, which is rooted in a culture of communal ownership of public space, has infringed on their property rights.

), who've been filming Christo and Jean-Claude's work since in the '70s. They were there with their cameras in '79 when the artists first pitched their idea to the city of installing hundreds of orange gates throughout the park for two weeks in winter. To hear the nay sayers shooting the idea down originally and then to see footage of the rapturous crowds in 2005, is to understand just a little bit better Christo and Jean-Claude's tremendous artistic vision. Ultimately they insist they do their work for themselves alone, but to be reminded how public art enriches our city dwelling experience is really inspiring. We see the gates drawn on photographs, fabricated, constructed, unfurled and then enjoyed against the backdrop of a lush snow storm. Gates from up above, from far away and then from close up--this movie is a gates-gasm. While some of the extensive footage of the orange sails flapping in the winter winds does drag in spots, it's still some very lovely camera work. Maysles and his co-director Antonio Ferrara have done a wonderful job of documenting that particular moment in New York for posterity.

EVENT: Charles Ray, who is thirty years deep in the art world, will be at the New School tonight for a Public Art Fund talk. The leader of the "conceptual realism" movement with a "lively, self-deprecating sense of humor" will discuss his "virtuoso craftsmanship" and his depiction of "familiar elements of everyday life and modern art in disarmingly altered ways."

Carlton Ingleton, an artist who also taught at Medgar Evers Colleges, was beaten to death by his son in his Crown Heights apartment. His son Assawa Ingleton had held his father, mother, pregnant wife, and their two children hostage for six hours, during which the son beat his father. The Daily News reports that when someone would try to help the father, Assawa Ingleton would hit him again. The ME's office said that Carlton Ingleton suffered "blunt impact injuries on the head and torso, a fractured rib, cuts of his liver and a brain hemorrhage." His wife, who was also injured, was the one who called the police after a friend convinced Assawa to let her go.

Yesterday afternoon, the midtown walls outside the Museum of Modern Art and surrounding buildings were bathed in a beautiful, expansive new video installation from artist Doug Aitken. The work, Doug Aitken: sleepwalkers, was commissioned by both the MoMA and Creative Time, and it turns the museum into public art space. A total of eight screens (outside the MoMA on West 53rd Street, in an empty lot onto Museum of Folk Art's exterior wall, and on the MoMA's walls on West 54th) show the stories of five different New Yorkers.

We're adding this to our holiday wish list: The MTA has published a book about the art in the subways, Along The Way: MTA Arts For Transit. From the description:

Initiated in 1985, this collection of site-specific public art now encompasses more than 150 pieces in mosaic, terra-cotta, bronze, faceted glass, and mixed media. The program takes its cue from the original mandate that the subways be "designed, constructed, and maintained with a view to the beauty of their appearance, as well as to their efficiency." Arts for Transit is committed to the preservation and restoration of the original ornament of the system and to commissioning new works that will exemplify the principles of public art, relating directly to the places in which they are installed and the community around them.

Continue reading "Subway Art, as Coffee Table Book"

+ The Sky Mirror is leaving! Which makes us wonder if Tishman Speyer will put public art installations in at Stuy Town when they officially own it.

Yesterday's Landmarks Preservation Commission hearing over 980 Madison Ave. was a relatively staid affair. On the second floor of the Surrogate's Court building on Chambers Street, Lord Norman Foster told the 150-plus audience that 980 Madison Ave. was about one thing: regeneration.

City yellow cabs will get more colorful in the fall of 2007 as the city embarks on a project to decorate cabs with flower decals. Yes, you heard it right - the City of New York is working on the temporary, mobile public art project, Garden in Transit, which will "celebrate the 100th anniversary of New York’s first motorized taxi." Starting this fall, children will paint flowers onto decals that will then be placed on thousands of yellow cabs. Cab owners will not be required to put the decals on, but they can certainly volunteer their cabs for the project - and we suspect many will, as they will probably be attractive to that all important taxi fare - the tourist. (But we'll have to ask New York Hack and Famous Fat Dave if they will.) The cabs will flower for 16 weeks, from September through December 2007.

We were biking down by City Hall park this afternoon and noticed they had finished installing the new Alexander Calder sculptures. They look good! Fun fact: the exhibit is organized by the Public Art Fund, but sponsored by Forest City Ratner, the company building the Atlantic Yards project in Brooklyn. [Via NLG. Related: Calder.org has a great set of Alexander Calder images, and a biography of the artist.]

Albert Maysles, Documentary Filmmaker

With his new Humpty Dumpty balloon in the Macy's Thanksgiving Day Parade, the NY Times has three great video pieces with sculptor Tom Otterness. One is naturally about having a balloon in the parade, and another is about his themes as an artist. But the best one is about his wonderful subway installations at the West 14th Street A/C/E and L station: Otterness discusses the statue that's in the stairwell (see the screengrab at left) being touched by straphanders for good luck.