Earlier this year reality television and Broadway collided in the form of "Grease: You're The One That I Want". The show aired on NBC and documented a trip down memory lane with a troupe of wannabe Sandys and Dannys all vying for the coveted roles. By the end, two were left standing, and tonight they make their debut in Grease at the Brooks Atkinson Theater. And now, with Xanadu, Broadway is hosting two movie-to-stage Olivia Newton-John vehicles. Can Two of a Kind be far behind? more ›

New York Times managing editor Jill Abramson drew fire in March after her heated dinner party spat with playwright David Hare, in which she reportedly broke it down for Hare thusly: “We are the central arbiter of taste and culture in the city of New York.” Imperious but true. The Times draws a lot of water in this town when it comes to theater; and when there’s big money on the line they are now the dominant factor in determining whether a new production lives or dies. more ›

In other film to stage news, the campy Broadway adaptation of the so-bad-it's-good Olivia Newton-John movie Xanadu (which famously prompted one critic's quip, "In a word, Xana-don't.") is rolling full speed ahead. The movie, famous for its over-the-top roller disco sequences – and catapulting "Magic" to the top of the U.S. pop singles chart – will at last fill the terrible void left behind by Lloyd Weber's roller skating spectacle Starlight Express. (Rumors of a Broadway adaptation of Zoo Animals on Wheels remain unconfirmed.) more ›

http://www.nytimes.com/2005/11/16/arts/music/16country.html">NY Times explains that the song is "Comin' to Your City" but changed the chorus to "Comin' to New York City")The NY Post doesn't hide its feelings about the CMA's: "The star of last night's Country Music Awards at Madison Square Garden didn't sing a note or win a prize. It was New York City, which lent the show the credibility and elegance it's always lacked." Well, a backhanded compliment is better than none, we guess. more ›