Results tagged “norahjones”

Norah Jones's windows have garnered the songstress more attention than her recent albums! Following the news that 10 windows on the side of her home were approved in her new neighborhood's Historic District, the Brooklyn Paper says the Cobble Hill Association are still trying to fight back. They warn that "at least 70 houses inside the historic district that have similarly windowless walls — so if Jones is allowed to set a precedent, the resulting domino effect could change Cobble Hill forever." No, not more windows!

First Norah Jones got criticized for a nouveau-Tuscany vibe in the kitchen of her new Cobble Hill home—now the songstress is moving right along with her renovation and allegedly sweet-talked the LPC into letting her have a little bit more light. Beautiful, warm, embracing light. Sounds innocent enough, but the NY Post reports that "neighbors don’t want a window into her soul — or home."

Her punk band would have likely had her waiting in the breadlines with the rest of us, but it's safe to say that since its release, Norah Jones has made a pretty penny off her 2002 debut album Come Away With Me. So a little (epic) financial crisis certainly isn't going to stop her from throwing down millions on some Brooklyn real estate. Brownstoner reports on the Cobble Hill home, a 4,100-square-foot circa 1843 townhouse that Jones paid $4,990,000 for (allegedly barely below the asking price).The site also notes the "killer" parlor floors and the not-so-killer nouveau-Tuscany vibe in the kitchen—which actually sort of screams "adult contemporary"!

Perhaps in an effort to capitalize on some pending April Fools Day confusion, (or, less cynically, to honor the cozy club,) Norah Jones made a surprise appearance at the Living Room on Monday night. The Ludlow street lounge, which has been celebrating its 10-year anniversary with night after night of packed lineups with a sprinkling of some big names, is where the Queen of Mom Music got her start many years ago.

The NY Times reflects on Bright Eyes' recent seven night run at Town Hall. Is Conor Oberst so complex that many, many charts analyzing him, his show and his fans outbursts, is necessary?

Okay Conor, we get it: you have cool friends. This week, during the Bright Eyes 7-night run at Town Hall, the band promised a special guest each night. So far he's brought out the likes of Lou Reed, Steve Earle, Jenny Lewis, Norah Jones and Ben Kweller. Each played a few songs of their own mid set before joining in jamming with the rest of the group. On the night we went, we were treated to a mini acoustic set by Ben Gibbard and a sit in by Nick Zinner, who among other songs, played the haunting Daniel Johnston cover "Devil Town." But as far as Bright Eyes goes, no matter what you think of the guy and his music, there's no denying that he always makes the extra effort to please his fans in NYC. Whether it be avoiding the larger, expensive venues, playing intimate shows or pulling stunts like this. Conor went out of his way to make each of these shows special, and as a fan, we really appreciate that.

New York singer/songwriter Jesse Harris might be known for his songs performed by others, in 2003 he won the Grammy for Norah Jones’s “Don’t Know Why," and he's also written songs for Willie Nelson, Bright Eyes, Feist, M Ward, and many others. Tonight, however, he'll be belting out his own tunes at the Living Room. Come check him out, and get to know him a little bit first...

ART OPENINGS: Ann Craven's latest ?

- Why someone hates the Ten Commandments on YouTube

One of our favorite stations to listen to all day is KEXP, run out of Seattle, and through the magic of online streaming - heard worldwide. This week they're in New York broadcasting (as they are twice a year), putting on some shows and having many in-studio guests. They're in Philip Glass' old studio which is now Gigantic Music, where their musical guests include:

Alas, all we have is YouTube. Check out this video recapping the life of G N' R, it's...interesting, set to music and has a hopeful ending!

Then two girls and one guy, all wearing wigs, took the stage. This was El Mad Mo, and there was no mistaking that Norah Jones was stage right, covered in eye makeup and sporting a blonde wig. The few left in the audience thinking it wasn't her were proved wrong when she started to sing. The songs were well crafted, funny and really, well, good...but definitely not punk. The lyrics were cleverly simple and rhyme heavy ("We'll do it like the bunnies, I'll call you honey, we'll spend all your money")...we honestly loved them. Jones dedicated one song to "the sleazy guy at the bar", adding: "there's one here right?"

- And it must suck to be the homeowner whose home renovations became a Home Depot for a mobster

Today you are hopefully joining approximately 45,000 other New Yorkers and taking part in the 20th Annual AIDS Walk. If not, there is still time. Sign in starts at 8:30am but the walk doesn't begin until 10am. So head to 59th St and 5th Ave...and don't miss the special performance by Norah Jones.

If you're a fan of artists like Norah Jones, Lucinda Williams or Tom Waits, Gothamist highly recommends New Jerseyan-turned South Sloper Dayna Kurtz, playing tonight at Joe's Pub.

Bob McKee, Local Music Now

This is terrible. It's also curious, since it does seem like these clubs have a lot of bouncers and people staffed to make sure people aren't allowed into VIP areas. We hope people, especially women, will stick to bigger groups (which is hard if you're working at a club, but perhaps try to work with others around?) when out and about and try to remain alert. Also, self-defense classes are not a bad idea.

Scratchy voiced Alan Light and John Rollins (Gothamist doesn't know anything about Rollins' voice, only Light's because he'dcomment on ANYTHING on VH1) bring a new music magazine offering with Tracks, oriented to more adult readers. The Times' David Carr looks at this venture, which seems to follow the music industry's realization that older consumers will buy, versus download, music, but the older consumers are simply not being spoken to. One doubtful industry expert, wondering if there are adults obsessive enough to shell out some change for a magazine about the music they like, says, "My experience has been that the people who like to listen to Bonnie Raitt and Phil Collins do not have music as a primary interest." Well, duh. If any magazine had a editorial mission to simply cover Phil Collins, it would only be good as a money laundering scheme. But this sounds just like the original business plan for VH1, so expect a couple issues down the road for it to be all about the 80s. Or the Fabulous Life of Sharon Osbourne.

100 Best Songs?
Gothamist takes aim at VH1's stupid new list (yes, an easy target, but still fun) with some of their and their readers' favorites.

The Grammys are over and the winners now get to calling themselves "Grammy-winning." Remember, so is Christopher Cross (sorry, Christopher Cross, you're just too tempting a punchline). So is a deserving Lauryn Hill, but where are you these days Lauryn? We need you. Norah Jones was the big winner of the night, winning the most prestigious categories, Record, Song, and Album of the Year. Bruce Springsteen represented, winning three, and the Dixie Chicks, Eminem, and Coldplay all won two. Dixie Chicks co-producer Lloyd Maines looks exactly like daughter and lead singer Natalie Maines. Eminem gave a respectful acceptance speech, thanking the MCs who came before him. Coldplay gave an awesome rendition of "Politik" with the New York Philharmonic. But the best performance was "London Calling," the tribute to the late Joe Strummer, with Elvis Costello, Dave Grohl, Bruce Springsteen, Steven Van Zandt, and Tony Kanal. There was a lot of making up: Mayor Bloomberg welcoming the Grammys back to New York after Giuliani's squabble with then NARAS head, Michael Greene. The Dixie Chicks pointedly thanked Sony after their contentious earlier fight. Of other interest: Jon Pareles on the many categories of the Grammys; more information about writer of Song of the Year, "Come Away with Me," Jesse Harris; and get thoughts of The Onion A.V. Club, one of the best arts sections around, on the best albums of 2001 and 2002, many of them ones that Grammys voters have never heard of. Virginia Heffernan called the night repressed, Ken Tucker mourns that the Boss didn't win more.