Results tagged “moulinrouge”

As outrageous as this may seem, this sort of makes sense: James Lipton, he of Inside the Actors' Studio, used to be a pimp in Paris! ABC reports:

The revered TV presenter, who has sat down with Hollywood's biggest names for in-depth chats about their life and work over the last 13 years, has revealed he once procured clients for French hookers.

We'll have to go back and see how he discussed Moulin Rouge with Nicole Kidman when she was on the show. Lipton explains his foree into the seedy side of street life saying, "This was when I was very very young, living in Paris, penniless, unable to get any kind of working permit... I had a friend who worked in what is called the Milieu...this young woman and I, we made a rather good living, I must say." We may now have to actually read his new book, Inside Inside - where he also reveals his life with gypsies, and his role on Guiding Light. Who knew?!

David Hinckley in the NY Daily News complains that the American Film Institute list of the 100 Top Movie Songs is no fun because it's actually not a bad list. Gothamist would almost agree, except for the lack of songs from South Park: Bigger, Longer, Uncut. We feel that Come What May from Moulin Rouge (who sings that? who cares?) is just an addition to please the public (that way you can get Nicole Kidman on the show), but let's be honest here: No one is humming "I will love you until my daying day," but they are singing, "Kyle's Mom is a Big Fat Bitch" or "What Would Brian Boitano Do" or "Unclef*cker" or "Blame Canada." So, lists like this are still very crack-like because they are addictive, but they can be very bad too.

Gothamist agrees with many (but not Moulin Rouge - meh), but would have to consider many others, like Almost Famous, A Star is Born, Amadeus, Hard Day's Night, A Mighty Wind, The School of Rock, plus the genre of movie musicals (Annie, The Muppet Movie, Kiss Me Kate, The Sound of Music) if we came up with our own list. And then there are the movies and filmmakers that aren't about music but their soundtracks change that: Anything by Wes Anderson, Paul Thomas Anderson, Cameron Crowe, John Hughes, Woody Allen, Spike Lee, and Quentin Tarantino, plus Trainspotting, Brown Sugar, Dazed and Confused, Ocean's Eleven (the remake)...what are we missing?