Unnamed sources are telling the Daily News and The Post that a deal between the stagehands’ union and Broadway producers is within reach. The two sides have an agreement on the main sticking point, the dispute over the number of stagehands required for a show’s “load-in” and are currently negotiating salaries. As one source put it, "Everybody is confident we can finally get this done." There’s even optimism that some shows affected by the strike...
Results tagged “marypoppins”
Yesterday Local One, the Broadway stagehands’ union, and the league of producers continued negotiations that had been stalled since last Sunday. Talks dragged on through the night and at 6:30am a union spokesman announced a 12 hour break. Though no details were given, it was said that “progress” had been made. An unnamed source told the Post that the two sides “had settled ‘the big issues’ and were continuing to hammer out details stalling a...
According to Broadway insider Michael Riedel, it’s not “if” but “when” the stagehands will go on strike – and “when” could be a soon as tonight! The long and contentious contract negotiations between the producers and Local One are now at an acrimonious standstill over changes to rules governing overtime pay, work assignments and the number of stagehands required per production. Last night Thomas Short, president of the international union that must approve Local One’s...
Local One, the Broadway stagehands’ union, has never struck in its 121-year history. Since salaries for stagehands – who handle lighting, props, sets and, yes, even Tarzan's vine – currently top off at 100K, who could blame them? But The League of American Theatres and Producers, who control 22 of 39 Broadway houses, are now wringing their hands after the union’s unanimous vote on Sunday to strike. (Last week the Nederlanders, the producers who represent nine Broadway theatres, seemed to distance themselves from the League’s stance and drift toward the union’s side.)
Both the League of American Theater Producers and Owners and Local One, the stagehands union have put their final offers for a contract agreement on the table. Distance between the two offers could mean that almost all Broadway shows will go dark in the near future. According to The New York Times there are no more negotiating sessions scheduled, so a lockout by the producers and owners looks likely. If that happens, only four shows will continue to stage performances: “Mary Poppins,” “Pygmalion,” “Mauritius” and “The Ritz."
This week at the movies, there's good news and bad news. The bad news is that the new releases are seriously scrapping the bottom of the quality bucket. How many weeks now has it been that we've had this complaint? The good news is that, as per usual, there's load of other fascinating movie related events In New York to sink your teeth into with relish.
We noted in yesterday’s roundup of theatre in 2005 that at least in our optimistic eyes, last year had plenty of great shows. If anywhere like the same number of impressive plays and musicals appear in ‘06, it’d be hard to complain. But nonetheless, we do have a small wish list.
The Queens DA announced that a brothel being run out of a motel near JFK was shut down. The NYPD conducted a raid last week at the Executive Motor Inn on North Conduit Avenue in Queens, where a 41 year old customer was found with a 15 year old runaway. DA Richard Brown said, “The Executive Motor Inn was a motel where guests arrived without luggage and stayed for only a few hours at best, registration cards were signed with names like ‘Mary Poppins’ and ‘Betty Boop’ and four or five men a night were seen coming in and out of the rooms. It was run not as a motel, but rather as an unabashed brothel catering to pimps and prostitutes – some of whom were underage and runaways.” Many neighbors were happy to hear the news, since the apparent prostitutes would fight with each other on the streets, look for customers, and litter the street with condoms.
- Two elderly sisters could be thrown out of their Cobble Hill home by their nephew
Blah blah blah, Shrek 2 made over $100 million over a five day period, which is a record for any film except Spiderman 2 and a record for an animated film with the voices of a Canadian, former model, one of the greatest comics, a Spaniard who stars in some great Almodovar films, a member of Monty Python, and Mary Poppins (while Shrek 2's record breaking is legit, if we had a buck for everytime Hollywood makes up these so-called records..."record for a film starring Brad Pitt in a toga directed by Wolfgang Petersen after The Perfest Storm" - Jesus, Gothamist would like to write the press release for New York Minute: "Record opening for twins of any kind in a film co-starring someone from SCTV"). Whatever. Gothamist went to see Shrek 2 and while it's entertaining and all, it's not that great. There are a number of fun in-jokes, you know, clever jokes that will appeal to adults only while kids laugh at the incongruities of a donkey becoming a horse, but overall, it lacked whimsy and heart that makes other animated films transcend their format and be remember as movies (think Spirited Away, Iron Giant, and yes, Disney films like Dumbo and Toy Story). Shrek 2 seemed to be more about being a great DVD later on, so you can stop and pause to admire the cleverness of the writers and animators, but as a film, it's pretty shallow. There are some structural issues as well (splitting up the two ostensible leads, Shrek and Fiona, being the main one, making it seem like a bad romantic comedy) that don't benefit the film. But, if you really want to go, the animation is dazzling and while Jennifer Saunders as Fairy Godmother is delicious and Eddie Murphy/Donkey is a scene stealer as ever, however the best thing about the movie is Puss...in Boots. In the name of disclosure, we didn't much care for the first Shrek, but at least that one seemed new to us. And, yes, Gothamist is a curmudgeon.



