Wolves and Wishes, the fourth LP from the wizardly Martin Dosh, may have been fused in Minneapolis (with contributions from artists like Will Oldham and Andrew Bird), but hear it through headphones while wandering New York at dusk and you'll think it was specifically made to accompany aimless strolls through the city's more deserted quarters. That the album's expansive soundscape is richly layered with looping keyboard, guitar, sax, banjo, percussion and other surprising instrumentation will......

Call us shamelessly grandiose, but when the dust settles on the first disheartening decade of our new century, we're certain that Andrew Bird will be widely acknowledged as one of the artists who best captured (and playfully tweaked) our era's portentous zeitgeist. Indie-rock critics and bloggers have been lauding him for years, and now Bird is finally selling out the big clubs (and touring in a BioDiesel bus). On his albums, his rich, multi-textural sound......

Andrew Bird, whose inspired 2005 album The Mysterious Production of Eggs was an indie hit, brought his sublime genre-defying songs (and socks) to a sold-out Bowery Ballroom last night. He was joined on percussion and keyboards by regular collaborator Martin Dosh and Jeremy Ylvisaker – a new addition to his road show – on bass and guitar. It’s always exciting to watch Bird weave his songs together live; in addition to playing violin, Gibson hollow-body......