You might think flying business class is always about being fanned with palm leaves while flipping through books on golf, but sometimes there are real hardships going on behind that curtain, as Lynne Meadow, who makes $395,824 a year as artistic director of the non-profit Manhattan Theatre Club, discovered last August on a flight from Rome to New York on Continental Airlines. The Sun has it that Meadow (pictured) is now suing the airline after an argument between herself and a flight attendant culminated in her being interrogated by the FBI upon landing. more ›

Start sharpening your spurs, gays and gals, because Jake Gyllenhaal is coming to Broadway! If director Mike Nichols has his way, you’ll soon have your chance to stalk the sensitive heartthrob as he flees through the stage door of Farragut North, a new play about presidential campaign hardball penned by a former Howard Dean staffer. According to today’s Post, Gyllenhaal (who made his stage debut in a Maggie Gyllenhaal-directed production of Cats in their parents’ living room) is all-but-confirmed for the cast. But before that, Nichols will shepherd other boldface names to Broadway with a spring revival of Clifford Odets’s The Country Girl, about a washed up wino actor and his beleaguered wife. With Morgan Freeman and our personal favorite Frances McDormand rumored to play the couple, this has Compelling Theatrical Event written all over it. more ›

Anthony King is a very talented comedian, actor, writer, and artistic director of the UCB theater and together with Scott Brown he has written Gutengerg! The Musical! a hilarious and inventive sendoff of not just theater but of the people who make theater. more ›

With the massive arts listings in last Sunday’s Times, the new season officially got underway, although theatre fans have for some time been able to get at least some idea about the next year on stage, and not only the brand-name productions, via the estimable nytheatre.com. Still, poring over those inky pages and getting overwhelmed by the sheer bulk of what’s about to come our way has no real substitute, and we’re now particularly looking forward to October’s Massacre (Sing to Your Children), a dark psychodrama/mystery written by Jose Rivera and being produced by the LAByrinth Theatre Company at the Public; 4.48 Psychose, Sarah Kane’s very experimental final play which will be performed by Isabelle Huppert in French (also in October, it’s part of both the Act French festival and BAM’s Next Wave festival); the latest provocation from Les Freres Corbusier, Hell House, which from the Times’ description sounds like it will be a close reproduction of fundamentalist Christians’ method of scaring people into faith, though you probably won’t have to look too hard for the satiric element; and Douglas Carter Beane’s The Little Dog Laughed, a send-up of the pervasive celebrity gossip culture playing in December at Second Stage. We were also tickled to see that Martin McDonagh (writer of The Pillowman) and John Patrick Shanley (Doubt) will again go head-to-head with new plays next spring – Shanley’s Defiance at Manhattan Theatre Club and McDonagh’s The Lieutenant of Inishmore at the Atlantic. As the Times asks, why mess with success? The Pillowman’s imminent closing notwithstanding, both have been hits despite being singularly unsettling theatrical experiences, so maybe they offer each other mutual support, and maybe the new plays will find the same rapport. In any case, we’re excited. more ›

We first became aware of Mario Cantone's stage gifts after seeing him in the Roundabout’s revival of Stephen Sondheim’s Assassins and in Manhattan Theatre Club’s The Violet Hours. Gothamist had also loved him as Charlotte’s acid-tongued wedding planner Anthony Marentino on Sex & The City. His new one-man Broadway show is aptly called Laugh Whore, and Cantone delivers a riotous evening of of comedy and music. more ›

Gothamist is intrigued to hear that Brooklyn's in da house, not once, but twice in the upcoming Broadway season.  more ›

Organ and tissue donation is important; learn more here. more ›