It’s fitting that the elegant revival of Stephen Sondheim and James Lapine’s musical Sunday in the Park with George – currently at Studio 54 following an acclaimed London run – brings the latest advances in animation and digital projection to the stage. After all, the show takes as inspiration Georges Seurat and his 19th century masterpiece A Sunday Afternoon on the Island of La Grande Jatte, which was itself informed by cutting-edge theories on color and optics, particularly the discovery that two juxtaposed colors could suggest a new color when seen from a distance. Hence Seurat’s famous depiction of a lazy French Sunday using innumerable colored dots, the style that came to be called pointillism.
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