Toward the end of La Didone, the latest multidisciplinary mash-up from the indefatigable Wooster Group, one vampire alien says to a captive astronaut, "Just let one of us join you. It will give you this wonderful new complexity." The line's an obvious metaphor for director Elizabeth LeCompte's conceit, a juxtaposition of the 17th century Italian opera Didone with kitschy 1965 sci-fi horror flick Planet of the Vampires. Yet, just as the alien's promise of "wonderful new complexity" is merely a ruse to latch onto another host body, LeCompte's spectacle feels like an elaborately empty shell, seeking a spirit to animate it. La Didone is more fussy than complex, and "wonder" isn't exactly what it's full of.
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Continue reading "Opinionist: La Didone"
The Wooster Group’s production of Hamlet is making its hotly anticipated state-side debut at St. Ann’s Warehouse, following performances in Paris, Barcelona and Berlin. The company has previously tossed Chekhov, O’Neill, and Miller into their deconstructive blender; this is their first Shakespearean scramble.
Continue reading "Scott Shepherd, Actor"
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