When asked why she wants to learn Japanese, a character in Kristen Kosmas’s play Hello Failure replies, “I want to chop away at the wilderness of my mind.” One suspects the playwright's reasons for developing her own distinctive theatrical language are the same; and, fortunately, her unique voice has a similar "clearing" effect on the audience. By the show’s end, you may find yourself walking out with a slightly less restless mind, though you may not know just what it was that moved you.
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