Results tagged “kasparhauser”

Subway Hero's An Actor, But Daring Rescue Was No Rehearsal

As luck would have it, a New York Times editor was on the C train platform at Penn Station Monday afternoon when a man fell down onto the tracks and cracked his skull. Lucky not because the editor rescued the man, but lucky for the Times because he gave his card to the guy who did, a 33-year-old actor named Chad Lindsey (pictured), who has come forward to tell his story to the paper. Reached by phone, he tells the Times, "I’m of many minds of being in the spotlight, but what the hey, I’m an actor—shocker." Lindsey was on his way to a "reading" when the man took a nosedive off the platform.

I’m kind of zoned out, and I saw this guy come too quickly to the edge. He stopped and kind of reeled around. I felt bad, because I couldn’t get close enough to grab his coat. He fell, and immediately hit his head on the rail and passed out. I dropped my bag and jumped down there. I tried to wake him up. He probably had a massive concussion at that point. I jumped down there and he just wouldn’t wake up, and he was bleeding all over the place. I yelled, ‘Contact the station agent and call the police!’ which I think is hilarious because I don’t think I ever said ‘station agent’ before in my life. What am I, on ‘24’?

Opinionist: <em>Kaspar Hauser</em>

Is it possible for a show to be simultaneously entertaining and annoying? Such is the paradox presented by Elizabeth Swados and Erin Courtney's propulsive opera Kasper Hauser at the Flea Theater. The performances by this talented young cast are uniformly excellent, the staging is mesmerizing, the music is fun and engrossing, and yet... at the nexus of all this dazzling theatricality is the title character, a pigeon toed half-wit with a tendency to drool and babble incoherently. He's sitting onstage as one enters the theater, manically rolling a toy horse back and forth and back and forth and back and forth. The performance was delayed on the night I attended, and after about 15 minutes I began fantasizing about jumping onstage and stomping the squeaky-wheeled toy to bits. That irritation never really abated, though it was balanced out by Swados's stellar score and dynamic direction.

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