Not that we needed any convincing about Belgian artist James Ensor (1860-1949), but after New Yorker art critic Peter Schjeldahl declared that the "astonishing" Ensor retrospective at MoMA "will affect many viewers like the detonation of a bomb whose fuse has been fizzing inconspicuously for a century," we quit procrastinating and finally humped it to midtown on Saturday. It was definitely worth the trip, and we were pleasantly surprised to find that the exhibit wasn't disastrously mobbed in the way that blockbuster museum retrospectives tend to get. more ›