Results tagged “hellhouse”

Let's face it, this weekend was made for bonding with your couch, napping and eating leftovers. But if you really want to go against the flow, here are some things to get you out of the house...

By now you’ve probably heard about the hellacious goings-on at Saint Ann’s Warehouse in DUMBO. (If not here’s an in-depth Gothamist interview with the producer of Hell House, Aaron Lemon-Strauss.)

The weekend before Halloween is always busy, and the city is filled with acitivities to keep you in the spooky spirit. Besides the Haunted Houses in different boroughs and Hell House at St. Ann's in Brooklyn, there are walking tours on Saturday and Sunday at the The Green-Wood Cemetery starting at 1PM. The Parks Department also has many different activities, including "Boo at the Zoo" events, Tompkins Scare Park, and the Pier of Fear.

Starting yesterday at the cavernous St. Ann’s Warehouse, New York City is getting its first chance to experience “Hell House”, an interactive spectacle that is fast becoming a Halloween tradition in churches across America.

With the massive arts listings in last Sunday’s Times, the new season officially got underway, although theatre fans have for some time been able to get at least some idea about the next year on stage, and not only the brand-name productions, via the estimable nytheatre.com. Still, poring over those inky pages and getting overwhelmed by the sheer bulk of what’s about to come our way has no real substitute, and we’re now particularly looking forward to October’s Massacre (Sing to Your Children), a dark psychodrama/mystery written by Jose Rivera and being produced by the LAByrinth Theatre Company at the Public; 4.48 Psychose, Sarah Kane’s very experimental final play which will be performed by Isabelle Huppert in French (also in October, it’s part of both the Act French festival and BAM’s Next Wave festival); the latest provocation from Les Freres Corbusier, Hell House, which from the Times’ description sounds like it will be a close reproduction of fundamentalist Christians’ method of scaring people into faith, though you probably won’t have to look too hard for the satiric element; and Douglas Carter Beane’s The Little Dog Laughed, a send-up of the pervasive celebrity gossip culture playing in December at Second Stage. We were also tickled to see that Martin McDonagh (writer of The Pillowman) and John Patrick Shanley (Doubt) will again go head-to-head with new plays next spring – Shanley’s Defiance at Manhattan Theatre Club and McDonagh’s The Lieutenant of Inishmore at the Atlantic. As the Times asks, why mess with success? The Pillowman’s imminent closing notwithstanding, both have been hits despite being singularly unsettling theatrical experiences, so maybe they offer each other mutual support, and maybe the new plays will find the same rapport. In any case, we’re excited.