Results tagged “hannahbos”

The Debate Society, arguably New York's most charming theater company, is adept at seducing their audience with the atmosphere of whatever locale they choose to evoke. Their latest work, called Cape Disappointment, meticulously conjures up Gothic worlds of lost highways, traveling salesmen, Eisenhower-era teens, and roadside bandits. Designer Karl Allen has done excellent work transforming the upstairs theater at P.S. 122 into a romantically decayed drive-in movie, even installing vintage speaker boxes throughout the audience. And to complete the scene, free bags of popcorn are distributed—noisy, crinkly bags that maddeningly break the spell just like at the cinema.

The most exciting story in New York theater this year had nothing to do with the Broadway stagehands' strike, it was the vibrant growth of what used to be called “experimental theater”, a movement that can now really only loosely be defined by what it’s not: non-naturalistic and not made for TV, with an emphasis on bold physicality, collaboration and, sometimes, multimedia.

We'll be liveblogging the MTVU Woodie Awards tonight (hopefully Jared Leto won't break our blogging fingers) -- if you're looking for something else to do though, here are some suggestions... READING: Spend an evening with Global City Review contributors Linsey Abrams, Fred Tuten, and Michelle Yasmine Valladare. The publication "celebrates the difficulties and possibilities of the 'global city' and other constructions of community...while honoring the subversiveness and originality of ordinary lives," and reflects on New...

We can't possibly choose only one music event for the weekend, so check out OhMyRockness for the jam packed weekend listings. We will say, however, that one of the openers for Snowden at Maxwell's tonight...is We Are Scientists, trying out some new tunes. Though closer to home are The Clientele and Beach House at Bowery Ballroom. Listen: Apple Orchard.mp3 - Beach House

The Debate Society is a taut little theater triad comprised of director Oliver Butler and wizardly actors Paul Thureen and Hannah Bos. Their 2006 production, The Snow Hen, took a Norwegian folk tale about an abandoned girl and wove it into a charmingly dark tapestry of melancholy and mystique. Now they’re back at the Ontological Theater (Richard Foreman’s regular digs) with The Eaten Heart, an enchanting mood-play very loosely inspired by Giovanni Boccaccio’s 14th Century tome The Decameron, which packs in 100 stories told over the course of ten days by ten people killing time during the Black Plague.

THEATER: The Debate Society's "Snow Hen" was a quirky, dreamy take on an old Scandinavian folk tale about the Black Death; now, in "The Eaten Heart," the talented trio of Hannah Bos, Paul Thureen, and Oliver Butler riff on an Italian view of the plague, Boccaccio's bawdy classic Decameron http://en.wikipedia.org/wiki/Decameron as the second part of a plague trilogy. This is a workshop production, so while the group's work always seems fresh and engagingly inchoate, here you get to see it while it is that and then some (and with less expensive tickets!). - Mallory Jensen

On Sundays Gothamist runs opinion pieces relevant to life in New York and reviews of recent books and performances. The judgments expressed below are entirely those of the author.

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