Results tagged “guggenheim”

Click through for more photos from It Came From Brooklyn, and a review of They Might Be Giants, who played a benefit in town earlier this week.

New York artist Rob Pruitt just j'adores the Oscars. The red carpet, the flashing bulbs, the drawn-out speeches! But what's a conceptual artist to do when such award shows revolve around Hollywood A-listers? Create one for the art world, of course. This week's Talk of the Town places focus on Pruitt's vision, which will become a reality this Thursday as his First Annual Art Awards takes over the Guggenheim.

As mentioned in our newsletter this morning, the Guggenheim turns 50 today (and is celebrating with free admission). The Daily News looks back on the museum's past, with 50 facts about the building, which Robert Moses once described as "an inverted oatmeal dish." A few of our favorites:
• To design the museum, Wright created more than 700 sketches.
• As for the unusual look of the building, Wright proclaimed, "It's going to make the Metropolitan look like a Protestant barn."
• The building was named a landmark in 1990, one of the youngest ever to earn the distinction.

TV on the Radio were meant to be seen live. While they might seem like a fussy studio band with their loops and samples and intricate noises, they captivated the crowd Tuesday night in Prospect Park for Celebrate Brooklyn. Tunde Adebimpe led the crowd in a dance fest, slithering across the stage, his hips hula-ing and arms ejecting from his body in sinusoidal jolts and waves to favorites like “Golden Age” and “Playhouses.” Movements seemed to come easily to all, especially since most of their songs seemed about 50% faster (making “Dancing Choose” almost punk rock in speed). Their show is refreshingly organic, and proved that nobody in Brooklyn is too cool to dance. — Jaya Harrover Saxena

Vasily Kandinsky is getting a full-scale retrospective treatment at the Guggenheim next month (the exhibit will run from September 18th through January 13th). The comprehensive survey will include "nearly 100 of Kandinsky’s most important canvases from 1907 to 1942... drawn primarily from the three largest repositories of the artist’s work—the Centre Pompidou in Paris, the Solomon R. Guggenheim Foundation in New York, and the Städtische Galerie im Lenbachhaus und Kunstbau in Munich—as well as from significant private and public collections." There will also be over 60 works on paper, and combined this will be the largest retrospective of the artist’s career in the United States since the 80s.

Remember when, in 2005, Banksy snuck in to museums and illegally hung his own work (video!)? Well, another artist has just done the same, catching up four years later—but at least he hit a different museum: the Guggenheim (Banksy got the Met, MoMA, the Brooklyn Museum, and American Museum of Natural History).

The color of the Guggenheim's facade has been discussed over and over again, but did you know that Frank Lloyd Wright designed it to be red? More specifically, "Exterior: Red-marble and long-slim pottery red bricks."

It's the 31st year of the Museum Mile Festival, where Fifth Avenue between 82nd and 105th Streets is closed so people can visit the nine museums along that stretch for free! The participating museums are: El Museo del Barrio; Museum of the City of New York; The Jewish Museum; Cooper Hewitt, National Design Museum, Smithsonian Institution; National Academy Museum and School of Fine Arts; Solomon R. Guggenheim Museum; Neue Galerie New York; Goethe-Institut/German Cultural Center; and The Metropolitan Museum of Art.

The Guggenheim Museum and Google invite you to build something, somewhere. The alliteratively-named duo has launched the Design It: Shelter Competition, which asks contestants to design a virtual shelter using Google’s SketchUp 3D-modeling software and place it anywhere on the globe using Google Earth. The competition draws its inspiration from the Frank Lloyd Wright School of Architecture—students there design shelters as part of their training—but instead of winning a master’s degree, the prize for Design It contestants is a paid trip to New York City complete with free software swag and private museum tours.

The Guggenheim has just unveiled a playful exhibit, titled A Year with Children 2009: Selected Works from Learning Through Art—an exhibition organized by the Sackler Center for Arts Education that will be on view through August 9th. The exhibit shows the works of 2nd through 6th grade students hailing from 16 different NYC public schools. We're told, "These schools have participated in Learning Through Art (LTA), a 39-year-old pioneering arts education program of the Guggenheim Museum, during the 2008-09 school year. Approximately 200 colorful and imaginative works will be on display, including prints, paintings, sculptures, mobiles, and more."

Today the Guggenheim Museum kicks-off a year-long celebration of art, architecture, and innovation to mark the 50th anniversary of its landmark building, and what better way to celebrate than with honoring Frank Lloyd Wright. Their From Within Outward exhibit will run through August 23rd and takes a look at the architect's vision from all angles. The anniversary celebrations won't just focus on the building's creator, however—on top of variety of exhibits, screenings of a documentary about the museum's past and present, and public events, there will also be city-wide celebrations. For instance, Mayor Bloomberg declared today Solomon R. Guggenheim Museum Day!

The Guggenheim sent out a press release yesterday the size of The Fountainhead describing their upcoming Frank Lloyd Wright: From Within Outward exhibition (opening in May and running through August). In celebration of the building's 50 year anniversary the Frank Lloyd Wright Foundation has helped them piece together the installation, which will present 64 projects designed by Wright, all displayed on the spiral ramps of the museum he designed. The CEO of the foundation says that, "Rather than a retrospective, this exhibition focuses on the diversity of Wright's vision and the ways he sought to realize it...The concept of the exhibition also reflects a growing recognition of the enormous relevance today of Frank Lloyd Wright's design philosophies, which embrace culture, technology and environment." Sad fact: Wright actually died six months prior to the grand opening of the Guggenheim.

If you've seen any of the previews for the new Clive Owen banking conspiracy flick The International, you know that one of the key action sequences takes place in the Guggenheim, with our man Clive dodging bullets fired by the movie's dark mastermind Thomas Krens (kidding, and yes we know Krens is gone). Anyway, if you're wondering how they got access to film a gunfight in the Guggenheim—where security jumps down our throats if we so much as take a cell phone pic—well, they pretty much didn't.

The Museum of Modern Art and Guggenheim worked out an agreement with a German art collector's heirs right before the case was headed to jury selection. This allow the MoMA to keep "Boy Leading a Horse" (1905-1906) and the Guggenheim "Le Moulin de la Galette” (1900; pictured). Bloomberg News reports, "Both paintings had been in the private collection of Paul von Mendelssohn-Bartholdy, a German Jewish banker, who died in 1935. The plaintiffs claimed in the suit that the paintings were sold under duress and should be returned to the family." The family had argued the paintings' transfer to Mendelssohn-Bartholdy's second wife was not legal; the museums said they were a gift to her and that they acquired them properly. The settlement was not disclosed, but Judge Jed Rakoff, who allowed the case to move to trial, believes it should be out in the open, "The public surely would want to know now and forever which of those diametrically different views was true, and the great crucible of a trial would have made that known."

The revolving hotel room that's part of theanyspacewhatever exhibit at the Guggenheim isn't the only noteworthy work on view at the moment; through January the museum is hosting a mid-career survey of Catherine Opie, who's known for her striking photographs of diverse subjects ranging from Minnesota ice fishers to the west coast L.G.B.T. community.

You'll recall that the new exhibit at the Guggenheim features Carsten Höller's Revolving Hotel Room, which the museum has been renting out to guests who pay $549 and up to sleep in an installation comprised of three glass discs mounted onto a fourth disc "that all turn harmoniously at a very slow speed." Guests are also free to spend the night wandering all six floors of the Frank Lloyd Wright rotunda.

The Guggenheim's upcoming group show, called "theanyspacewhatever," features artists who like to "claim the exhibition as their medium." And what better way to claim the Guggenheim than to spend the night with it? From October 24th to January 7th, Carsten Höller's Revolving Hotel Room invites guests to stay over at the museum by sleeping in an art installation comprised of three turning glass discs mounted onto a fourth disc "that all turn harmoniously at a very slow speed."

The Guggenheim is opening its doors for free on October 30th to celebrate the completion of the museum's restoration, which has been going on for years. The centerpiece of the celebration will be illuminated text on the Frank Lloyd Wright facade, a specially commissioned work of art by Jenny Holzer (which has actually been on display since September). Oh, and, the Museum Café will offer a free cookie with the purchase of any entrée on the day of the celebration.

Earlier this year the Guggenheim's notoriously-hated director, Thomas Krens, announced his departure from the museum (which many blame him for turning into a McGuggenheim). The NY Times announces today that the Guggenheim is now ready to name Richard Armstrong as the next director, saying the final board meeting regarding the decision will be held on or before September 23rd.

The choice was considered a safe one after nearly 20 often tumultuous years of Mr. Krens’s maverick vision. In addition to being criticized for his globe-trotting ways, in which he created an array of satellite institutions, Mr. Krens was known for dipping into the museum’s endowment to cover operating costs and for mounting exhibitions from motorcycles to of-the-moment artists like Matthew Barney.

Armstrong resigned as director of the Carnegie Museum of Art in Pittsburgh this past June and says that he wants “to celebrate New York in particular but not at the expense of all the others.”

The art world is breathing a sigh of relief today as the announcement of The Solomon R. Guggenheim Foundation's director stepping down was announced. For many, Thomas Krens has been more of a dictator than director; with a focus on franchising a "McGuggenheim" business over exhibiting modern art or focusing on the Frank Lloyd Wright-designed building itself.

The Guggenheim flagship -- one of New York's top tourist attractions -- was falling apart. (Its crumbling facade is currently undergoing renovation.) Krens wasted considerable time and money trying to get the city to accept a second Gehry Guggenheim in Manhattan when he failed in his attempt to attract either steady streams of visitors or compelling exhibitions to a SoHo branch. (The space is now a Prada store.)

While in charge, Krens did oversee many important exhibits, but for the most part he brought in blockbuster crowd-pleasers (tossing the museum's identity to the wayside). Consensus is that he simply overstayed his welcome (the Village Voice asked that he leave back in 2002). Last year when museum director Lisa Dennison left her position it became clear a suitable candidate wouldn't step in until Krens stepped down. The NY Times reports that "candidates who were informally approached were not shy about communicating that they would not work under Mr. Krens, who is known as a difficult personality."

Everyone's bursting with anticipation for the opening of Cai Guo-Qiang's new exhibit at the Guggenheim; the site-specific installation serves as a mid-career retrospective and is now just four short days away from being unveiled.

The AP reports on two Picasso paintings that have hung in the MoMA and Guggenheim for decades, and the fight to keep them there. Julius H. Schoeps claims they are the property of his great uncle who was persecuted in Nazi Germany, and has demanded the museums hand over the paintings, "Boy Leading a Horse" (MoMA) and "Le Moulin de la Galette" (Guggenheim). The suit was filed at the District Court in Manhattan. Both museums...