The Cinecultist's Weekly Reperatory Pick: Molte Bene Edition
Walter Reade Theater, Lincoln Center
Pencil This In
THEATER: Len Jenkin's Kraken imagines the details of an actual 1856 encounter between Herman Melville and Nathaniel Hawthorne. Melville, his Moby-Dick long since met with a critical “meh”, was in the midst of a spiritual journey to Jerusalem – a trip that would, two decades later, yield the back-breaking, 2 Volume, 18,000 line Clarel: A Poem and Pilgrimage in the Holy Land. En route he stopped to visit his old Berkshire homey Hawthorne, now the American consul in Liverpool. In Jenkin’s dramatization, the two literary legends – neither one legendary in their day – spend the evening together confronting their “fears, failures, things of this world and the next”, etc. According to Hawthorne’s diary, ol’ Hermy may have droned on a bit: “Melville, as he always does, began to reason of Providence and futurity, and of everything that lies beyond human ken, and informed me that he had pretty much made up his mind to be annihilated; but still he does not seem to rest in that anticipation; and, I think, will never rest until he gets hold of a definite belief.” Garrett Eisler, who reviewed Kraken for the Voice, writes that the voyage does “dock at a satisfying port.” - John Del Signore

