Results tagged “fillmore”

Outspoken Nigerian dissident and afrobeat trailblazer Fela Kuti was beaten and arrested hundreds of times during his turbulent life, which came to an end in 1997 due to AIDS-related complications. Several years after his death, Femi and Yeni Kuti, his eldest son and daughter, opened a performance venue and cultural center in Lagos called the New Afrika Shrine, a living tribute to their father and his famous commune-nightclub-recording studio, which was burned down by the Nigerian army. Femi, who has since taken up the afrobeat torch, performs with his band Positive Force often at the New Afrika Shrine, which has become a refuge for politically active youths and a source for information in defense against the AIDS.

We'll be liveblogging the MTVU Woodie Awards tonight (hopefully Jared Leto won't break our blogging fingers) -- if you're looking for something else to do though, here are some suggestions... READING: Spend an evening with Global City Review contributors Linsey Abrams, Fred Tuten, and Michelle Yasmine Valladare. The publication "celebrates the difficulties and possibilities of the 'global city' and other constructions of community...while honoring the subversiveness and originality of ordinary lives," and reflects on New...

, an engrossing and greatly entertaining account of not just Fillmore's presidency, but also his life, travels, and observations of 19th century politics and social moirés. Alone, Pendle's work amounts to only small bites out of this great injustice; the real change comes when you devour this book.

Indeed, "ridiculous" is the first word that popped into our heads when reading today's article in the Staten Island Advance. Police arrested 19 people in the Independence Day incident and issued summonses to another 11 individuals. When police arrived at 23 Fillmore St. on Staten Island, the homeowner slammed the door on the leg of Inspector Richard Bruno. Eventually, five police officers would be injured in the brawl with partygoers.

We briefly mentioned the wild melee between some Staten Island residents and the cops on July 4th, after the police investigated a call about illegal fireworks. Nineteen people had been arrested, while 10 others received summons, and residents are now complaining that the police were too aggressive. Cops, many of whom were injured, say they were doing their job.

With brick and mortar sales declining, and the future of the music industry uncertain - at least live shows are always dependable. Sure, there are a lot of venues closing, but how about the ones thriving? The NY Times reports on some of the big players in the New York venue scene.

ART: FreeNYC reminds us that the new gallery Honey Space is opening tonight with a little shindig. The night will include a solo show by Thomas Beale, "otherworldly food, homemade drinks, one New Orleans circus star, a 9-piece brass band, and the products of years of concentrated effort."

The Summer of Love is back, and taking over New York for a 40th anniversary celebration spanning museums, theaters and screens. The NY Times takes a look at what to expect during this retrospective celebration:

"Some Time in New York City" was released in 1972 as John Lennon's third post-Beatles album (and his fifth with Yoko Ono). Critically and commercially the album didn't do well, especially compared to Lennon's previous albums. "Imagine" had just come out in the 1971, and comparatively this one was brash, loud and more reflective of his political and new geographical surroundings at the time, in Greenwich Village.

On the night Lily Allen played her first post-bloghype show in New York, the ad wizards at Live Nation decided to officially rename the place The Fillmore New York at Irving Plaza and drop some fake pseudo-hippie nostalgia to an already otherwise storied venue. It's an embarrassing and senseless stunt thought up by past their prime marketers in an attempt to make a consistent nationwide brand under the Live Nation umbrella. Irving Plaza is, and has been for a while, often the first step for a band that has grown out of its grassroots support and has begun its assault on the mainstream. So while the name change is really just that, it's another clear-cut sign that the homogenization of the New York rock scene in full effect. Any band playing at this new Fillmore now holds an even greater disconnect from the local scene that likely helped get them where they are in the first place. We hope the larger VIP section is worth it.

Joshua White is renowned for his light show at the Fillmore East (not to be confused with the inanely re-branded The Fillmore New York at Irving Plaza) in the late sixties and early seventies. Employing an arsenal of various trailblazing effects, including the now-iconic “liquid light”, the Joshua Light Show catapulted Fillmore crowds into cosmic depths from which many have yet to return.

In the past we've told you about New York album art from The Doors, Bob Dylan, The Ramones and more. You can read the past posts here, and now we move on to The Allman Brothers Band: Live at Fillmore East.

After reports surfaced of a two-family townhouse being sold in Red Hook for $1.06 million, the NY Post had to find out who would pay that much - and why. It turns out that East Village residents Frank and Tina Dituri bought the house because it "reminded [them] of how the East Village was 15 years ago: Young people coming in doing interesting things and putting their own stamp on it." And the space was a factor - the house is 2400 square feet, so the Dituris got a good deal if you're thinking just in terms of price per square foot (Manhattan prices start at $1000 per square foot) and in terms of the taxi fare they'll have to give their Manhattan friends to visit. The Post gets some color from the broker:

Marsha Yarde, a broker with Fillmore Real Estate who arranged the sale, called it a "record-breaking price for a two-family home" in Red Hook.

Continue reading "Red Hook Today is Like the East Village Circa 1991!"

Andy Horwitz, P.S.122