The Village Voice OBIE awards are always a raucous affair; a sort of debauched downtown theater raspberry to counter the Tonys' mainstream proceedings. And because the OBIEs call attention to risk-taking, less-famous artists who succeed despite severely limited budgets, they're arguably much more vital to the theater world—at least, the part of that world that consistently pushes the envelope. Last night's bacchanal—the 54th—at Webster Hall was even more festive than years' past because after the awards (see below) were handed out, the club was taken over by a risque, gender-bending after-party hosted by Michael Musto. Pole dancing, body painting and short shorts were wall-to-wall.
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