What's Adam Duritz of Counting Crows fame up to these days? After seeing this photo it's our belief that he is riding the rails, looking for love, going home and penning Missed Connections while listening to August and Everything After on repeat. Okay, we want to believe that, but he's got a girlfriend, and as this photo shows, he's too busy being a textbook subway douche. (Yes, we've confirmed with the NYC the Blog folk that in this photo he isn't trying to get out of the train—he rode in that spot, blocking the door, until Bleecker Street; this photo was taken at 59th Street.) If the Rain King can't show a little courtesy underground, what chance have we got?
Spotted: Adam Duritz Blocking The Subway Doors
Adam Duritz, Counting Crows
Hey look, the Counting Crows are still around. Recently frontman Adam Duritz answered a few of our questions prior to playing at Summerstage (which goes down this evening at 6). We'll always love "August and Everything After," but it speaks volumes that the New Yorker he admires most is Robert Moses.
Farm Aid is Coming
The good folks at Farm Aid have just updated us with more details about their first show in New York City, announced in June and taking place September 9th. They also have a ton of info on food and farming in New York, which you can check out here.
Elsewhere in the ist-a-verse
While SFist cringed at the fatal dose of crime littering the Bay Area, it found solace in Hillary Clinton's San Francisco campaign headquarters opening, which featured loads of exposed mammary glands. In other news, SF Taxi Commission ruled that Satan's cab must keep its (in)famous medallion number, 666; and in an un-fashion-forward frenzy, San Francisco Fashion Week (chortle) bars bloggers from covering and getting smashed at their shows and parties, respectively. Also, they found a picture displaying the woes of cruising in a tacky limo on the streets of San Francisco.
The Day After The Oscars Which Were Yesterday
The reviews are out, and Chris Rock is getting a mixed bag of feedback for his duties as the MC of the Oscars. The NY Daily News' David Bianculli says he wasn't edgy or funny enough, Variety says his opening monologue was great (subscription required), the Hollywood Reporter says that Rock wasn't on a roll, and the Washington Post's Tom Shales says Rock was strangely lame and mean-spirited. Gothamist wonders if there's a generational divide between the reviewers, because we thought Rock was the best thing about the Oscars. It's like some of these reviewers weren't familiar with Rock's material before. At least Tim Robbins (left, photo AP), whom Chris Rock made fun of, could take a joke ... we think. As for the show, sure, it seemed to move quickly and was "well-produced," and, yes, we were happy certain people won, but since there wasn't much enthusiasm for any one nominee, the whole show was boring. And Gothamist doesn't care what Gil Cates's "producer's blog" says!

