For the past four decades, Richard Foreman has challenged and fascinated audiences with a deeply idiosyncratic aesthetic incorporating traces of vaudeville, Jungian philosophy, slapstick, surrealism and myriad other disparate sources to create what he calls the Ontological-Hysteric theater. His newest “theatrical machine”, called Deep Trance Behavior in Potatoland, is the third in a series of works that heavily emphasize video projection, this time shot on location in Japan. The live performance in Deep Trance has......