For the past four decades, Richard Foreman has challenged and fascinated audiences with a deeply idiosyncratic aesthetic incorporating traces of vaudeville, Jungian philosophy, slapstick, surrealism and myriad other disparate sources to create what he calls the Ontological-Hysteric theater. His newest “theatrical machine”, called Deep Trance Behavior in Potatoland, is the third in a series of works that heavily emphasize video projection, this time shot on location in Japan.
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Results tagged “bridgeproject”
Richard Foreman, Ontological-Hysteric Theater
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