Danny Hoch is widely renowned for bringing authentic stories from the New York City streets into the often effete and insular world of theater. While you might recognize him from his supporting role in last year’s We Own the Night or Whiteboyz, the '90s film he wrote and starred in, he is most known for his work on the stage. His latest show, Taking Over, is a return to his signature one-person shows where he takes on a wide spectrum of New Yorkers. In this show, he tackles the hot button issue of gentrification, focusing in on the transformation within Williamsburg primarily from the perspective of natives who have lived through the influx of new residents coming into their neighborhood. The result is a show that often tiptoes an uneasy line of venting the frustrations of lower-income New Yorkers who hoped the impact of new money would mean better hospitals and instead have woken up to an abundance of muffin shops. Taking Over is running at the Public Theater through December 14th.
Results tagged “adamrapp”
SHOP: Still looking for that perfect gift? The Brooklyn Historical Society is holding the 4th Annual NY Creates Craft Fair, and they may have just what you're looking for. Check it out today and tomorrow, and it will be back the 22nd and 23rd for the real last-minute shoppers.
MUSIC: If you aren't at your local hometown bar this Thanksgiving-eve, drinking with old high school buddies -- we suggest a sonic alternative. Tonight The Hold Steady and Art Brut do their best at making Terminal 5 feel a little bit cozier this holiday season. Buy tickets here. 7:30pm // Terminal 5 [610 W 56th St] // $30 MUSIC MOVIES: If you're sick and tired of the bands playing around town, go check out two...
Everybody wants to be a rock star, perhaps none more ardently than theater folk, some of whom have been prodding the form toward rock since the sixties. Sam Shepard famously insisted that he wanted to be a rock and roll star, not a playwright; recently the likes of theater company Les Freres Corbusier and playwright Adam Rapp (who moonlights in a band) have expressed a sensible desire to tap into the Bowery Ballroom demographic.
There’s drama pinballing through the theater blogs this week, people! In a recent letter to subscribers, Carolyn Cantor, the director of Adam Rapp’s play Essential Self-Defense, took issue with Charles Isherwood’s “scathing” review in the Times. Isherwood has become something of a punching bag among theater bloggers for his perceived stodginess, and the review is, at times, unnecessarily ad hominem: “A self-conscious exercise in stagy attitudinizing, it could almost have been composed by a computer. Well, maybe a computer that spends a lot of time posing in funky bars in Williamsburg, Brooklyn.” [Disclosure: we once caught a nasty virus from a computer we picked up in a funky Williamsburg bar. Never again.]
Playwright Adam Rapp etches elegantly bleak portraits of America’s young lost souls; his Red Light Winter was an Obie-winner and Pulitzer-prize finalist, Blackbird was recently adapted into a film which Rapp also directed. (He wrote and directed his first feature, Winter Passing, which starred Ed Harris, Zooey Deschanel and Will Ferrell.) Rapp’s published seven novels, plays in a band, and is not someone you’d want to play one-on-one basketball with to settle a bet.
Adam Rapp’s play Essential Self-Defense takes place in a Midwestern anytown where children have been steadily disappearing. In this self-described “grim fairy tale”, there are no clues to indicate the culprit; the townspeople (Klieg the butcher, Chuck the barber, Isaak the Russian custodian, Sorrell the punk librarian) are all eccentric but not particularly sinister. Rapp, to his credit, isn’t interested in whodunits; his focus here is the awkward courtship between the diminutive Sadie (brought to life with charming nuance by Heather Goldenhersh), a needy children’s books editor, and Yul (Paul Sparks), a Caulfieldian loner who works as an attack dummy in Sadie’s self-defense class. When Sadie knocks out Yul’s tooth during class, she leaps on her chance to launch a mack attack.
THEATER: Obie Award winner Adam Rapp has just unwrapped (sorry) his new play Essential Self-Defense at Playwrights Horizons. Set in a mean Midwestern town called Bloggs, the play has, fittingly, been generating big blog buzz. The “grim fairy tale” revolves around a disgruntled misfit “who takes a job as an attack dummy in a women’s self-defense class and finds himself mysteriously drawn to the repressed bookworm who’s beating on him. But all’s not well in Bloggs: with local children vanishing at an alarming rate, our hero, his lady friend, and a motley assortment of poets, butchers, and punk librarians prepare to battle the darkness on the edge of town.” With rock n’ roll karaoke! - John Del Signore
THEATER: Adam Rapp’s Stone Cold Dead Serious is being revived at Theatre Row on the West Side. The surreally dark comedy deals with a struggling family on the outskirts of Chicago who pin their hopes on their video-game obsessed teenage son. The kid just has to put his skills on the line in a real-life fight-to-the-death video game competition. Fun fact: When Stone Cold Dead Serious was presented at Chashama in 2003, stagehands changed the scenery in ninja suits. - John Del Signore
59E59 Theaters // 59 E. 59th St. // Through June 4, Tues.-Sat.8pm, Sun. 3pm // Tickets via Ticket Central

Adam Rapp, Writer and Director
It’s almost April, do you know where your Broadway mega-shows are? Cate Blanchett and Hedda Gabler got things off to a smash start, and the rest of the big guns are revving up: Tarzan, Lestat , Julia Roberts in Three Days of Rain, Ali MacGraw and Julianna Margulies in Festen…and more. We’ll spare you (and ourselves) the wallet strain and the eye-rolling – there are plenty of worthy littler shows crying out to be seen.


