Results tagged “acttwo”

It’s fitting that the elegant revival of Stephen Sondheim and James Lapine’s musical Sunday in the Park with George – currently at Studio 54 following an acclaimed London run – brings the latest advances in animation and digital projection to the stage. After all, the show takes as inspiration Georges Seurat and his 19th century masterpiece A Sunday Afternoon on the Island of La Grande Jatte, which was itself informed by cutting-edge theories on color and optics, particularly the discovery that two juxtaposed colors could suggest a new color when seen from a distance. Hence Seurat’s famous depiction of a lazy French Sunday using innumerable colored dots, the style that came to be called pointillism.

In Samuel Beckett’s 1961 play Happy Days, a decidedly upbeat woman named Winnie spends Act One striving valiantly to make the best of her sticky situation: she’s irrevocably buried up to her waist in a “low mound.” True, Winnie has her reticent companion Willie for company, but she cheerily defies the barren void by holding forth for a seemingly nonexistent gathering of spectators. And Act Two finds Winnie still determined to make a go of it, despite a marked deterioration of her condition: she is now buried up to the neck. 47 years after Beckett finished it, the brutally funny and moving Happy Days is now the hot ticket at the Brooklyn Academy of Music.

Evil Dead: The Musical officially came to life this month at New World Stages; we caught the show in previews, in a house packed with Evil Dead fans who reveled in every campy moment. The first two rows are given Gallagheresque ponchos and by evening’s end the audience in this so-called “splatter zone” is bathed in enough blood to run the Red Cross for a month. (If you’re grossed out by the amount of blood in Act One, you’ll never make it through Act Two.)