Foreign correspondents have been on the endangered species list in recent years, but Lawrence Wright isn't going anywhere. He won a Pulitzer for his book The Looming Tower: Al-Qaeda and the Road to 9/11, and a film adaptation of his first one-man stage production, My Trip to Al Queda, premiered this month on HBO. Wright cannot be regarded as simply a hold-out of a rapidly declining breed, but rather as a champion of some sort of journalistic natural selection. They've trimmed down the ranks, but Wright is still here, and with good reason.
The New Yorker's Lawrence Wright, Playwright
MTA Threatens to Evict Groundbreaking Theater 3-Legged Dog
3-Legged Dog, the exceptional "Arts & Technology Center" that presents some of the most innovative experimental theater in NYC, is being threatened with eviction by the MTA, which owns the company's space at 80 Greenwich Street. After relocating to the new multi-theater venue after its former home at 30 West Broadway was destroyed on 9/11, the company signed a 20-year lease at $21,666.67 a month.
Opinionist: Art of Memory
In the program notes for Art of Memory, Tanya Calamoneri's macabre dance-theater piece about bookish isolation, gifted designer Sean Breault describes his set as a blend of his "fascination with Theodore Kaczynski [the Unabomber] and his 'living quarters,' The Deep South, Reclusive Troglodytes, Swamps, Mystics, Open Heart Surgeries, Beautiful Minds, One's Descent Into Madness, Possessions, Spirits and Kittens that some people put into bags and toss over the bridge's edge." Though no cats are killed nor hearts dissected during the hour long performance, Breault's description aptly conveys Art of Memory's atmosphere: sometimes sullen, sometimes febrile, always strange.
Opinionist: Frequency Hopping
Hollywood, 1940. As Hitler devours Europe and America inches toward war, a remarkable technology that could prove invaluable to the U.S. Navy is invented by… a sexy movie star and an avant garde composer? Though it sounds more than a little far-fetched, it’s actually a true story, and the subject of Elyse Singer’s multimedia play Frequency Hopping.

