For one week only, Film Forum is screening John Stahl's 1945 "film noir in color" Leave Her to Heaven, which stars Gene Tierney in an Oscar-nominated performance as the irresistible femme fatale. Time Out NY calls it a "masterpiece of post-WWII American cinema... The glamour of the film’s palette (courtesy of cinematographer Leon Shamroy) is but a bandage on a festering canker, and a late courtroom scene in which Ellen’s former fiancé (Vincent Price) interrogates the film’s surviving parties seems more a Torquemada-like spiritual purge than a crusading search for justice. If God is in the details, he remains tauntingly at the margins: Blue skies never seemed so coldly distant and on-high critical, especially in the deceptively redeeming final shot, one of the few compositions captured, tellingly, from an emphatic low angle."
Click on the stills above for more details and reviews of this week's releases and repertory selections, which also include Lincoln Center’s Rendez-Vous With French Cinema, 12, Everlasting Moments, Tokyo!, Frontier of Dawn, Explicit Ills, Phoebe in Wonderland, Leave Her to Heaven, Teeth, and eXistenZ.






Go see Leave Her to Heaven—it's a restored print and Gene Tierney is amazing in it.
I'm seeing two Rendez-Vous films this weekend: Girl from Monaco and The Joy of Singing.
Watchmen will be a huge let down if you've read the graphic novel.
what? the movie was exactly like the comic.
Whoa, Jackie Earle Haley is in Watchmen? I may just go, then. He was great in Breaking Away, but then that whole movie was great. Sort of makes sense, I guess. Rorschach is supposed to go nuts after being taunted about his size, just like Moocher did in the earlier movie. "Don't forget to punch the clock, shorty." Crash.