Everlasting Moments, from Swedish director Jan Troell, concerns a woman who experiences an artistic awakening after being introduced to photography around the turn of the century. A.O. Scott at the Times has respect: "Quiet and decorous though it is, Everlasting Moments is as full of character and incident as a fat realist novel... There is sorrow and brutality in this film, but it is balanced by delicacy, humor and a sense of innocence that flirts with mawkishness. Any excursion into a lost world of childhood... risks sentimentalizing the past, but Mr. Troell, many of whose earlier films have also been historical dramas, compensates with a sense of historical and psychological clarity. The result is an experience that, even as it feels a bit familiar, is nonetheless engrossing and satisfying."
Click on the stills above for more details and reviews of this week's releases and repertory selections, which also include Lincoln Center’s Rendez-Vous With French Cinema, 12, Everlasting Moments, Tokyo!, Frontier of Dawn, Explicit Ills, Phoebe in Wonderland, Leave Her to Heaven, Teeth, and eXistenZ.






Go see Leave Her to Heaven—it's a restored print and Gene Tierney is amazing in it.
I'm seeing two Rendez-Vous films this weekend: Girl from Monaco and The Joy of Singing.
Watchmen will be a huge let down if you've read the graphic novel.
what? the movie was exactly like the comic.
Whoa, Jackie Earle Haley is in Watchmen? I may just go, then. He was great in Breaking Away, but then that whole movie was great. Sort of makes sense, I guess. Rorschach is supposed to go nuts after being taunted about his size, just like Moocher did in the earlier movie. "Don't forget to punch the clock, shorty." Crash.