LAST MINUTE TIX: As part of the Museum of Modern Art’s Modern Monday Series, Thurston Moore will host a film program of David Bowie’s music videos. All in all 15 videos will be screened, and while the event sold out the museum just announced that $5 tickets will be available again at 1 p.m. today at their information desk. More details here.

ART: The NYPL's Art Deco Design: Rhythm and Verve exhibition is still running (through January). Explore "the rich history, legacy and influences behind Art Deco, a style which visually captured the fascinating decades of the 1920s and 1930s and signaled the birth of our contemporary concept of modernism."

11 a.m. to 6 p.m. // New York Public Library, 1st Floor [5th Ave at 42nd St] // Free

INSTALLATION: If you haven't already, get your perverse self over to the Museum of Sex to check out Action: Sex and the Moving Image. With your ticket you'll be able to trace "the way sex and sexual imagery have impacted film, television, advertising and more contemporary outlets like the internet while simultaneously creating the multi- billion dollar porn industry and influencing popular art such as film, social standards, mores and behaviors." And you won't even have to clear your cache when your all done.

Various times // Museum of Sex [233 5th Ave] // $14.50

FILM: The Secret of Grain, which was just a part of the New French Films series at BAM, will screen tonight at the Walter Reade Theater. The film is "a heart-wrenching, naturalistic portrait of the lives of immigrant workers and their families in present day France. A recently-out-of-work immigrant worker of Tunisian origin uses the little money he has saved to open a couscous restaurant on the harbor in Marseilles."

7 p.m. // Walter Reade Theater [70 Lincoln Center Plaza] // $11

THEATER: The Aquila Theater Company is staging a theatrical adaptation of Joseph Heller's groundbreaking satirical novel Catch-22. Martin Denton says the production "moves effortlessly from scene to scene...The principal style of the show is farcical, but Meineck shrewdly interrupts the quick comic pace for stylized renderings of the bombing missions and, occasionally, a character's death: these are the only parts of Catch-22 that are somber, which is just as it should be: [Director Peter] Meineck understands, if many of the play's characters do not, that death is not to be treated lightly." – John Del Signore

8 p.m. // Lucille Lortel Theatre [121 Christopher St] // $49