<?xml version="1.0" encoding="utf-8"?>
<rss version="2.0">
<channel>
<title>Gothamist: Opinionist: Equus</title>
<link>http://gothamist.com/2008/10/05/opinionist_equus.php</link>
<description>All comments for Opinionist: Equus</description>
<language>en-us</language>
<copyright>2008 jen</copyright>
<lastBuildDate>Mon, 06 Oct 2008 09:01:04 -0500</lastBuildDate>
<docs>http://blogs.law.harvard.edu/tech/rss</docs>
<managingEditor>jen@gothamist.com</managingEditor>
<webMaster>jen@gothamist.com</webMaster>
<ttl>60</ttl>
<item>
<title>west side Michael</title>
<link>http://gothamist.com/2008/10/05/opinionist_equus.php#comment-1480129</link>
<guid isPermaLink="true">http://gothamist.com/2008/10/05/opinionist_equus.php#comment-1480129</guid>
<category>Comments</category>
<pubDate>Mon, 06 Oct 2008 09:06:52 -0500</pubDate>
<description>&lt;p&gt;I agree with Matthews I was at the opening in 1973.
Why bother now,in the age of Zoloft &amp; Paxil?
I think we still had a few then  in real on
the couch Psychoanalysis.Peter Firth made the agony
of wishing or turning into a horse quite true.&lt;/p&gt;</description>
</item><item>
<title>allie25</title>
<link>http://gothamist.com/2008/10/05/opinionist_equus.php#comment-1480078</link>
<guid isPermaLink="true">http://gothamist.com/2008/10/05/opinionist_equus.php#comment-1480078</guid>
<category>Comments</category>
<pubDate>Sun, 05 Oct 2008 23:36:54 -0500</pubDate>
<description>&lt;p&gt;personally, i loved it.&lt;/p&gt;</description>
</item><item>
<title>matthews</title>
<link>http://gothamist.com/2008/10/05/opinionist_equus.php#comment-1480077</link>
<guid isPermaLink="true">http://gothamist.com/2008/10/05/opinionist_equus.php#comment-1480077</guid>
<category>Comments</category>
<pubDate>Sun, 05 Oct 2008 23:36:12 -0500</pubDate>
<description>&lt;p&gt;I saw the original 1973 production in London (Peter Firth and Alec McGowan directed by John Dexter at the Old Vic, no less) and I recall it as a striking piece of theatre: elegantly written, skillfully plotted, beautifully acted, and visually striking. (From the reviews, I gather that some elements of Dexter&apos;s production, including the silver horse heads and the &quot;chorus&quot; with metal shoes, have been adapted for the current production.) But I never expected it to enter anyone&apos;s canon of works worthy of repeated revival over 35 years. The plot is distinctly mechanical, and I&apos;ve always considered abreaction -- the psychological technique of inducing a patient to re-live a past experience -- as a lazy dramatist&apos;s way out. But if this creaky-but-chic vehicle brings pleasure to new audiences, advances the careers of talented actors, and opens the way for two American stars to appear in London, who am I to protest?&lt;/p&gt;</description>
</item><item>
<title>Carol61</title>
<link>http://gothamist.com/2008/10/05/opinionist_equus.php#comment-1480068</link>
<guid isPermaLink="true">http://gothamist.com/2008/10/05/opinionist_equus.php#comment-1480068</guid>
<category>Comments</category>
<pubDate>Sun, 05 Oct 2008 22:46:01 -0500</pubDate>
<description>&lt;p&gt;Certainly everyone who attends a play is entitled to his/her own opinion, but I could not simply read this article without saying how much I disagree.  I found the entire production incredibly well done, and while I did not see Peter Firth on stage, I did see him in the film adaptation and I thought Daniel Radcliffe was much better in the role.  As for the dancers, I thought their &quot;impersonation&quot; of live horses was incredibly realistic.  It&apos;s really a shame this reviewer couldn&apos;t enjoy this production as I did ... he surely missed a treat.&lt;/p&gt;</description>
</item><item>
<title>MissMeowy</title>
<link>http://gothamist.com/2008/10/05/opinionist_equus.php#comment-1479997</link>
<guid isPermaLink="true">http://gothamist.com/2008/10/05/opinionist_equus.php#comment-1479997</guid>
<category>Comments</category>
<pubDate>Sun, 05 Oct 2008 19:02:31 -0500</pubDate>
<description>&lt;p&gt;So did you like it or not?&lt;/p&gt;</description>
</item>
</channel>
</rss>