
At a press/industry screening of The Dark Knight at the Lincoln Square IMAX last night, the line was already halfway down 68th Street an hour before showtime – and these are the overprivileged industry slobs. It’s going to be pandemonium Friday once the rabid fanboys take over. But you already knew that; the question of the hour is, “Does it live up to the hype?” Well, considering that the anticipation level rivals that of Evangelical zealots craving the second coming, or geeks clamoring for the iPhone 3G, it’s no small achievement that The Dark Knight does – periodically – manage to meet our insane expectations.
Even viewed in all its IMAX glory, there’s no escaping the fact that the storyline is, in broad strokes, that of a rather formulaic superhero action flick. A maniac brings a depraved city to its knees, all hope is lost, the hero risks becoming the villain to save the day, etc. Director Christopher Nolan executes it all with a style that’s at turns visually breathtaking and regrettably murky, but there are still a few great surprises, and the mood is deliciously macabre, thanks in no small part to Hans Zimmer and James Newton Howard’s phenomenally tense score, which often relies on just a few strings slowly ascending the scale like tarantulas crawling up the back of your neck.
Everything’s fine and good – a somewhat ponderous but solid B plus – until Mr. Heath Ledger enters the frame. It's true; he’s astonishing as Joker, hunched over and shambling, with a distressingly high voice that’s recorded in such a way that it sounds as if the microphone’s in his mouth. Ledger’s work here would still have stood out as spellbinding were he alive, but his untimely death changes the equation. It’s impossible to watch his riveting performance here without feeling some degree of sadness, which actually ends up working in The Dark Knight’s favor by investing the film’s fantastical milieu with a much-needed human element. When it's Ledger's movie, he carries it beyond the hype into something extraordinary.





A nice, honest review. I can't wait to see it (in two weeks when one can actually buy tickets)!
Bah. Now I want to see the movie even more. Maybe I'll wait until September when the lines will be a little shorter.
That image scene with the bike is lasalle street in chicago. The others look like hong kong.
Nice review.
Man, it's going to be odd to watch him in this role...
At the end it turns out to be that Bruce Willis is a ghost. Yeah, That movie sucks.
I appreciate Warner Bros.' and DC's willingness to reinvent and reinvigorate a franchise that continues to have life as long as someone's willing to breathe fresh air into it.
Much like the Bond franchise, which was revived by simply rebirthing the character anew, with a harder tougher 007 played by Daniel Craig, Batman has gone from the cartoonish mise en scene established by Dan Burton, into a somewhat noir series with Christian Bale.
Comparing the Bond movies of Connery and Roger Moore--let alone Daniel Craig--are as about as sensible as putting Burton and Nolan's pictures side by side. They may share the same name, but they're completely different animals. I guess this qualifies me as a fanboy, and yes, I cannot wait to see The Dark Knight. Nice review; it gave me shivers of anticipation.
Tim Burton, sorry.
They should have used Billy Dee Williams for the role of Harvey Dent. It's owed to him since Tommy Lee stole it in 1995.
Anyhoozle, I'll be seeing this as an IMAX virgin. I can't wait.
@Jen S -- I know, I'm waiting a few weeks before venturing to the theater to see it. Although I did consider a 6AM Imax showing on Friday.
Tim Burton's movies were way better than the ones in between his and the current ones.
This looks interesting. Is it coming out soon?
I acknowledge that though my Batlove runs deep, there's no way I'm going to stand between hardcore fanboys and the movie screen. Patience!