Ahmet Ertegun, 1923-2006

2006_12_arts_ertegun.jpgAhmet Ertegun, the man who founded Atlantic Records, died yesterday at the age of 83. Ertegun, along with a partner, Herb Abramson, founded Atlantic Records in 1947. They started up in an office in a hotel on West 56th Street in Manhattan. The initial investment of $10,000 was borrowed from his family dentist. 48 years later, in 1995, at the Annual Rock and Roll Hall of Fame Induction Dinner, it was announced that the museum's main exhibition hall would be named after Ertegun.

Growing from an independent to a major label, he helped shape the careers of John Coltrane, Ray Charles, Aretha Franklin, Otis Redding, The Rolling Stones, Led Zeppelin and the list goes on and on. Apparently Ertegun persuaded the Rolling Stones to sign with Atlantic after pretending to fall asleep at a Chuck Berry concert they attended together, playing up to Jagger - who he knew was against pushy execs.

The NY Times reports that a "spokesman for Atlantic Records said the death was the result of a brain injury suffered when Mr. Ertegun fell backstage at the Beacon Theater in Manhattan on Oct. 29 as the Rolling Stones prepared to play a concert that marked former President Bill Clinton’s 60th birthday. He had been in a coma since then."

Ertegun will be buried in a private ceremony in his native Turkey, and a public memorial service will be held in New York early next year.

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Wow! I was just thinking about Ertegun yesterday.

Jewel made an appearance on CBS' "The Late, Late Show" saying that she now lives in Texas and is writing country music. She also said that she does not have a record label. That last part surprised me because that last time I saw Ertegun on TV he was talking about just having signed a "famous young lady that you will recognize, her name is Jewel".

That got me thinking about whether Ertegun dropped Jewel himself or whether he had retired or was even still alive. Now I know the answer.

Resquiat in Pace.

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Massive loss to the music industry. A true pioneer who cared about music, and not treating artists like commodities to push "units".

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